They say try and remember the good times, or think about the
good memories, when doling out advice for how to cope with the loss of a loved
ones. But good memories get ruined by grief; they make you wish you could
forget entirely. What if there was no more need for forgetting? What if loss
was no longer necessary? Enter Proxy, the last show on the Rapid Lemon stage
for their 2019 calendar season.
They say try and remember the good times, or think about the
Recon— they don’t speculate. They observe and report. Sort
of like theatre critics. We don’t speculate— we observe and report. Observing
now: Crusade the only full-length production of the Baltimore
Playwrights Festival in the 2019 calendar year. Crusade, written by Bruce
Bonafede, is a world premiere making its debut in association with the BPF
through Rapid Lemon Productions at the Baltimore Theatre Project. (BPF, RLP,
BTP, over and out!) Directed by Timoth David Copney,
When you force the eye to see something in a whole new light; that’s true beauty. A pile of junk is just a pile of junk until it isn’t anymore; looking differently upon something broken, disregarded, or damaged can transform trash into treasure. In the world premiere of D. W. Gregory’s Dirty Pictures, art, beauty, and truth find new lights and the backwoods yokels of wilderness-nowhere Colorado absorb new perspective on what those things mean to their lives.
Sacrifice Your Sour Outlook and Enjoy Rapid Lemon’s Variations on Sacrifice at Theatre Project
Rapid Lemon Productions presents the annual “Variations” collection; this year’s production is directed by Lance Bankerd. The theme this year, chosen by last year’s audiences, is Sacrifice. Baltimore Theatre Project is housed in a building that is 125 years old, and we find it significantly more comfortable on a summer evening than on a winter afternoon.
Palindrome by Max Garner holds a special element of history with two important men of music in the two plays he wrote. With each one act play explaining the fantastic yet tragic stories of Thelonious Monk and Marvin Gaye. With subtle touches of musical aspects in each play, the audience’s ears ring with the smooth sounds of jazz and other genres that were produced by the focused artists.
Allan Sean Weeks who took the responsibility of lighting director really took on the “less is more” saying for each play.
Tis the season to stuff your face be it with chestnuts roasting on the open fire, grandma’s pumpkin pie or the Heavy Hors D’Oeuvres that The Interrobang Theatre Company his throwing down this holiday season! In its third incarnation, The Interrobang Theatre Company is proud to present Heavy Hors D’Oeuvres 3: Interrobang’s Holiday Dinner. But don’t be fooled, this isn’t your ordinary Christmas comedy or holiday hilarity,
“Unlike a mere deception or a simple secret, which gives the impression that something’s been taken away, a great magician makes you feel like something’s been given to you.” –Jim Steinmeyer
The art of being a magician is beyond that of simply knowing tricks and purchasing gimmicks. There is a story to tell. There is a sense of showmanship to present. As Leonard Cohen once said, “Do not be a magician— be magic!” And so too should the words upon page that become words upon stage when spinning a script based in magic?
“A dream is a wish your heart makes, when you’re fast asleep. In dreams you will lose your heartache. Whatever you wish for, you keep. Have faith in your dreams and someday, your rainbow will come smiling through. No matter how your heart is grieving, if you keep on believing, the dream that you wish will come true. A dream is a wish your heart makes, when you’re feeling small. Alone in the night you whisper,
Water takes the boat people. Water catch ‘em. Water keep ‘em. A cautionary warning to those brave enough, or perhaps foolish enough, to strike out on a Government sanctioned expedition down the Colorado River through the uncharted “Big Canyon” (what we know now as The Grand Canyon) in 1869. Are you brave enough, or perhaps foolish enough, to join Cohesion Theatre Company as their close out their third season with Men on Boats,
Something is taking its course. I don’t know how I feel today. There is no one else. There is nowhere else. It must be an absurdist cycle. Rapid Lemon Productions, under producer Max Garner, presents an evening of absurdism at The Motor House in the Station North Arts District of Charm City. A double-bill of two one-acts that are threaded loosely together in their absurdism roots, the classic Samuel Beckett’s Endgame is paired with the American premiere of Darren Donohue’s Voices in the Rubble.
Her heart got broken. The car was totaled. He’s wildly out of control. Who’s to blame? In a world of helicopter parents, disasters beyond our imagination, catastrophe around every corner, isn’t the question always who’s to blame? Appearing on the stages of Baltimore City for its 12th Annual Production the Variations Project, produced by Rapid Lemon Productions, takes up residency for a limited run-performance in the Wright Theatre of the University of Baltimore. 11 short,
The 12th Annual Variations Project has arrived in Baltimore for the 2016 calendar year. Under the care of Rapid Lemon Productions, this year’s theme— as chosen by last year’s audiences— is Variations on Blame. To help spread the word and encourage local artists of Baltimore to become involved with the project, TheatreBloom sits down for an exclusive interview with the Founder of Rapid Lemon Productions to discuss the project and ways for people to get involved.
It’s Baltimore’s original 10-minute play festival. Now in its 11th run of production, The Variations Project is taking up residency in 2015 at the Baltimore Theatre Project. Now presented by Rapid Lemon Productions, a theatre company which evolved into the Baltimore Theatre Scene in 2012, the production is going strong and features eight works from local playwrights. This year’s theme: Family. Much like every year that preceded it,
Ladies and gentlemen! Step right up! The circus has come to town! Only, not exactly. Hold onto your brain-balls, it’s about to get a little bit “thinky” over at Single Carrot Theatre as they launch the first production of a brand new initiative called their ‘Featured Second Series.’ Existing outside of the Carrots’ 8th season, this second series will serve as a theatrical incubator; a safe space for shows that take big risks on tiny budgets.