All posts by Amanda N. Gunther

A full-time theatre reviewer in the Baltimore, Washington, and surrounding areas; Amanda holds a BFA in Acting from the University of Maryland Baltimore County as well as a minor in Creative Writing. Having spent two of her five years at college studying abroad at the University of New South Wales in Sydney, Australia, she has learned a great deal about improv, devised work theatre, and interpretive movement pieces. Striving to promote theatre of all types, she can often be found in a theatre of some type, even on her nights off.
Cam Shegogue as Hedwig in Dominion Stage's Hedwig & The Angry Inch. 📷 Matthew Randall

Hedwig & The Angry Inch at Dominion Stage

Put on some make-up! Go get your tickets! And watch her put the wig back on her head! Yes, that’s right, everyone of all genders, having conquered the great divide, Hedwig is coming for you! And not only is she coming— she’s HERE!! Dominion Stage is starting their 23rd Season with a tour du force production of John Cameron Mitchell & Stephen Trask’s Hedwig & The Angry Inch. Directed by Danni Guy with Musical Direction by David Smigielski &

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The Prom at Scottfield Theatre Company 📷Matthew Peterson

The Prom at Scottfield Theatre Company

Show them that it can be done! Build a prom for everyone! It’s Prom season, y’all. (Just like it used to be Les Miz season and Mamma Mia season?) Throwing their hat into the ring, Scottfield Theatre Company is building The Prom and it’s pretty spectacular. Directed by Chuck Hamrick, with Musical Direction by Nathan Scavilla, and Choreography by Becky Titelman, this inspiring new musical is making the rounds across the state,

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Gillian Shelly (center) as Edna Pontellier and the ensemble of The Awakening with Endangered Species Theatre Project 📷 Madeline Reinhold

The Awakening at Endangered Species (Theatre) Project

Resolved to never belong to anyone but herself, Edna Pontellier controlled her own destiny.

But I’m getting ahead of myself.

Picture it. A balmy, breezy, almost tropical evening on Grand Isle. Louisiana Gulf. Cottages. 1890’s. Summertime. Can you feel the sea breeze blowing in? Smell the scent of the water? Can you hear the French Creole dialect running thick like Cajun gumbo through the words that get spoken? You’ll picture it a whole lot better if you slip on over to Endangered Species Theatre Project this April to experience their extraordinary production of Rebecca Chace’s The Awakening.

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The Graduating Seniors of Children's Playhouse of Maryland's "Jesus Christ Superstar" (from L to R) Sophia Koman, Sammy Jungwirth, Myles Taylor, Emma Hammett, Linda Brown, and Katreese 'Clover' Wellons

Everything’s Alright, Yes. Everything’s Fine: An Interview With The Six Graduating Seniors of Children’s Playhouse of Maryland’s Jesus Christ Superstar

What’s the buzz? Tell me what’s a’happening? What’s the buzz? I’ll tell you what’s happening!

It’s Jesus Christ Superstar! Yes, the full-length stage musical, yes produced by Children’s Playhouse of Maryland, yes featuring some of the finest young talents in Baltimore and the surrounding areas. And TheatreBloom has a special treat for you readers. We’ve taken a few moments, on an early* Saturday morning to sit down with six very special cast members of the upcoming Jesus Christ Superstar to talk to them all about their experience with this production thus far and their experiences with Children’s Playhouse of Maryland as a whole.

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Godspell at Peace Players

“When your trust is all but shattered; when your faith is all but killed. You can give up bitter and battered or you can slowly start to build.”

I like to start most reviews, if I can help it, with a hook-line, usually some clever twist on one of the show’s iconic lyrics or themes, but this one is just a direct line-pull from “Beautiful City” because it’s what co-founders Albert J. Boeren and Lisa Boeren have created.

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Nevermore at Stillpointe Theatre

Are you ready to sit in a theatre and see a play of hopes and fears? Stillpointe Theatre invites you to do exactly that. Examine the unexamined; explore the darkened recesses of the mind of the master of the macabre. They present to you the regional premiere of Nevermore, a 90-minute musical which swirls and swivels through the madness that is the mind of Edgar Allan Poe, Baltimore’s beloved poet. Directed by Ryan Haase,

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Nathan Lee Graham (center) and the company of the North American Tour of Hadestown 📷 T Charles Erickson

Hadestown at The Hippodrome

A song so beautiful it brings the world back into tune.  

But’s a sad song.

It’s an old song.

And it is finally, finally here at Baltimore’s Hippodrome Theatre!

The train on that long road to hell has arrived, bringing you the epic, Tony Award-winning musical Hadestown. With music, book, & lyrics by AnaĂŻs Mitchell, this stylistically mesmerizing and wondrously refreshing take on an ancient Greek myth will dazzle and amaze,

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Craft Town at The Maryland Ensemble Theatre

They come across my inbox like they always do; a cool drink of water— code for ‘new play’— just asking to be looked over. Not in distress or nothing, see? These ‘new works’ they hold their own. But I wouldn’t be a very good T.I. if I didn’t give it a once over, now would I. T.I.? What’s that? You don’t know? Theatrical Investigator. That’s me— Amanda Gunther, T.I. – and this new one— Craft Town?

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The Benefactors, performed here by Ursula Marcum and Josh Hne. 📸Glen Ricci

Katalepsis at Submersive Productions

Surreal. And yet utterly relatable. Immersive. And yet distantly isolated. Unfathomable. And yet completely imaginable. This paradox of experiences is what awaits the theatrical explorer that could— and should— be you, with Submersive Productions’ latest offering: Katalepsis. Welcome to a world set many generations in the future, where humanity has been wiped from the face of the earth by a virus, and only a precious few— four to be exact— remain, supported by mysterious benefactors,

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The Beaux’ Stratagem at The Rude Mechanicals

It’s all true— it’s all true— hilarity will ensue! Down at The Dew Drop Inn— you’ll laugh too— it’s all true! Now granted, my lyrical composition isn’t nearly as hysterical as Jaki Demarest’s when it comes to scribbling together crackpot-laughable words for the 70’s heehaw hoe-down spin-about that happens pretty darn close to the end of Act I with some of the blokes box-stepping ‘round one another in sheer nonsense-grade bliss. Wait— sorry— TIMEWARP!! Back it up— all the waaaay back to the 1970s,

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Alex & Olmsted's Hubba Hubba. 📸 Ryan Maxwell Photography

Hubba Hubba at Baltimore Theatre Project

The sickness which no doctor can treat; the wound which can only be healed by the weapon which dealt the blow; Love. Movies, musicals, live-stage performances, television programs, radio dramas— you name it— have all attempted to conquer the subject, explore it or explain it, celebrate it, degrade it, deconstruct it— the path to love in our lives, particularly that interwove into our digestible media, is unending. But never has it felt so real, so relatable,

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Seth Fallon (left) as George with Xander Conte (center) and Henry Cyr (right) in The Wedding Singer. 📸Ana Johns

The Wedding Singer at Silhouette Stages

I’m going to be honest. I’m not Adam Sandler’s biggest fan— or even really a fan, period— by any stretch of the imagination. I don’t like most of his movies, I think he thinks he’s funnier than he actually is, and on the whole, although we’re living in the  golden “Oprah Era” of musicals (“…you get a musical, you get a musical, you get a musical, everybody gets a musical!”) and this particular one is not ‘new’ per se,

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The 25th Annual Putnam County Spelling Bee at Street Lamp Community Theatre. 📸 Andrew DiMaio

The 25th Annual Putnam County Spelling Bee at Street Lamp Community Theatre

Refreshing— (adjective.) ‘Welcome or stimulating because new or different; reinvigorating; to restore by renewing supply.’ Street Lamp Community Theatre’s production of The 25th Annual Putnam County Spelling Bee was thoroughly refreshing because of all the intricate little quirks included to make the production uniquely their own. R-E-F-R-E-S-H-I-N-G. Directed by Jamie DiMaio and Andrew DiMaio, with Musical Direction by LaShelle Bray, and Choreography by Jamie DiMaio, this heartwarming production is absolutely charming, humorous, and the most revitalizing production of Spelling Bee you could ever hope to encounter.

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Cinderella at Children’s Playhouse of Maryland

Your majesties! Your majesties! A list of the royal necessities! At the top of that list there simply must be a— ticket or two to see Cinderella! (Youth Edition) at Children’s Playhouse of Maryland! The iconic Rogers & Hammerstein classic is proving that impossible things are happening every day with a score of talented young performers parading all across the stage in their ballroom finest trying to catch the eye of his royal highness Prince Christopher Rupert Windemere Vladimir Karl Alexander Francois Reginald Lancelot Herman— Herman!?

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The Mortification of Fovea Munson at The Kennedy Center

Dead bodies are the worst! Or are they? I mean, is there anything worse than your parents naming you ‘Eyeballs’? Yes. Your parents naming you ‘Pitfall.’ Okay, not literally, but what if you figured out at the ripe old age of 13, which is a challenging age all on its own, that your name translates in Latin to the word ‘eyeballs’ or ‘pitfall’ or worse, ‘depression’? Wouldn’t that be enough to set you spinning into chaos?

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Hillary Mazer as Lillian in Do Not Go Gentle. 📸Matthew Peterson

Do Not Go Gentle at Spotlighters Theatre

Everything that happens to you is your story. How you choose to tell it? And who you let tell it? That’s up to you. A surprising drama with heart and emotional heft, Suzan Zeder’s Do Not Go Gentle is a rarely produced play— at least in these parts— and is currently making its way onto the stage at Spotlighters Theatre. An estranged son? A moody granddaughter? A spastically over-the-top estate agent? And a ghost.

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Beauty & The Beast at Phoenix Festival Theatre. 📸Matthew Peterson

Beauty and The Beast at Phoenix Festival Theatre

Well, who’d have thought? Well, bless my soul! Well, who’d have guessed? Well, who indeed? That Phoenix Festival Theatre would be sold out before you could be their guest? Just wait and see— standing room at least— that’s all that’s left for their stunning production of Beauty and The Beast. Disney has a funny way of enchanting ticket buyers to purchase tickets before the run even truly gets underway. Good luck finding someone who wants to give up their ticket to this sold-out performance.

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Neagheen Homaifar (left) as Leyla with Yousof Sultani (center) as Jawid and Mazin Akar (right) as Taroon in Selling Kabull. 📸Christopher Mueller

Selling Kabul at Signature Theatre

The year is 2013. The United States is withdrawing troops from Afghanistan as the Taliban take control; Afghans are fleeing the country.

The year is now 2023. The United States started withdrawing troops from Afghanistan two years ago as the Taliban took control; Afghans are fleeing the country. Again. How can a decade have passed and a harrowing event impacting millions still be happening as if nothing has changed in ten years’ time.

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Somewhere In A Tree: An Interview With Alexander Tom on Being the Musical Director of Pacific Overtures at Signature Theatre

 A rarely produced Sondheim. Perhaps one of Signature Theatre’s signature marks as they frequently unearth some of the lesser recognized or at the very least, lesser attempted, Stephen Sondheim works. Pacific Overtures is no exception for this season. The irony of white men creating the musical narrative for Eastern culture is not lost on anyone, particularly not Musical Director Alexander Tom, who is a Chinese and Vietnamese American. In a phone interview with the show’s musical director,

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Arcadia at Greenbelt Arts Center. 📸Kris Northrup

Arcadia at Greenbelt Arts Center

One might have to be a sage of lunacy to willingly sit through a production of Tom Stoppard’s Arcardia, regardless of how strong some of the performances are, or how pretty the costumes, how exquisitely detailed some of the props are. It’s a curious choice for Greenbelt Arts Center to be producing this play, given the unforgiving and unapologetic chauvinistic male dominance in the character who hardly gets much of a comeuppance as he commandeers most of the script— at least in modern times— once his character is introduced.

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Something Old; Something New; Something Borrowed; Something Blue: An Interview with Jeremy Goldman about The Wedding Singer at Silhouette Stages

Is it your wedding day? Do you hear music starting to play? Because love is going to find you! Love of musical theatre that is! It’s a retro-toss-back to the 80’s, baby! Silhouette Stages is putting on a big ol’ wedding— well— they’re putting on a big ol’ production of a wedding with the musical The Wedding Singer. Something old? That’s the 80’s. Something new? Jeremy Goldman…who is new to directing. Something borrowed?

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The Company of Into The Woods.📷Matthew Murphy & Evan Zimmerman for Murphymade

Into The Woods at The Kennedy Center

Every moment is a moment when you’re in the woods. Be careful what you wish for, bring a slotted spoon to catch the potato, and nice is different than good. Direct from Broadway (including an opening weekend surprise of Andy Karl re-joining the company for the weekend), the darkened Sondheim Fairytale launches its National Tour debut from The John F. Kennedy Center for the Performing Arts. Are you ready to go Into The Woods?

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Tyler Zeisloft (center) as Trent in The Prom at Tidewater Players. 📷Austin Barnes

The Prom at Tidewater Players

“I don’t want to start a riot. I don’t want to blaze a trail. I don’t want to be a symbol or a cautionary tale.” Musical theatre is story first. Always has been. It’s the lyrics in the music which transports the story to the audience and at the end of the day, the story at the heart of The Prom is just about a person wanting to live their life like any other normal person and get to have all the things that any other normal person has.

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It’s Time To Dance: The Final Countdown Prom Edition with the ‘Teens’ of Tidewater Players’ The Prom

She just wants to go to the prom. And take her girlfriend. Why can’t the world be more accepting instead of prejudiced, homophobic, and closed-minded? In the final installment of our ‘It’s Time To Dance’ interview series with the Teen Corps from Tidewater Players’ The Prom, we get to chat with Lizzie Sprague and Sammi Flickinger, playing Emma and Alyssa, one on one with what it’s like to be a part of this area premiere.

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It’s Time To Dance: Prom Interviews Part V The Teen Ensemble Kids Strike Back from Tidewater Players’ The Prom

Got your glittery Converse to match your sparkly dress? We’ve got two more chit-chat conversations with cast members from the ‘teens’ of The Prom here for you!

Thank you so very much for coming to chat with us! Tell us who you are and who you play in this!

Shelly Squire: My name is Shelly Squire and I’m in the teen ensemble.

Why I you want to come out and be a part of The Prom?

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It’s Time To Dance: A Few MORE Prom Interviews with the ‘Teens’ of Tidewater Players’ The Prom

Will you be this year’s Prom Queen? Are you ready for this year’s Prom dance? We’ve got a couple more members of the ‘teens’ from Tidewater Players’ production of The Prom to get you totally psyched about coming out to see the show!

Thanks so much for sitting with us! Really thrilled to be talking with you about The Prom. Tell us who you are and who you play!

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It’s Time To Dance: Even More Prom Interviews with the ‘teens’ from Tidewater Players’ The Prom

Do you have your tickets to The Prom? If you’ve been following along so far we’ve had four members of the ‘teen’ group tell us all about what’s so special and why you should come! Here’s a couple more for your consideration!

Thanks for joining the conversation and sitting down to chat with us— tell us who you are and who you’re playing?

Tristin Goodenough: I’m Tristin Goodenough and I’m part of the teen ensemble.

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It’s Time To Dance: More Prom Interviews with the ‘teens’ of Tidewater Players’ The Prom

Who’s ready to add some Zazz to their Prom? Two more ‘teens’ from the area premiere of The Prom here to chat with us about their prom experiences!

Thanks for sitting down with us, why don’t you tell us who you are and who you play?

Maggie Donahue: I’m Maggie Donahue and I play Shelby.

Tell me a little bit about Shelby.

Maggie: Shelby is a cheerleader.

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It’s Time To Dance: Prom-Interviews with the ‘teens’ of Tidewater Players’ The Prom

One thing’s universal— life’s no dress rehearsal! Do you have your perfect prom dress? Shoes? Gown or tux? Or— *gasp* date!? For the area premiere of The Prom, Tidewater Players has given us their “teens” to have some “Prom-Goss” (also known as gossip) about what it’s like to be a part of the area premiere of this sensational new show that’s currently sweeping the nation.

Thank you so much for sitting down with us,

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The cast of Clue at Stand Up For...Theatre

Clue at Stand Up For…Theatre

Stand Up For…Theatre did it!

In the DoodleHATCH!

With a play!

That’s Clue in a nutshell, right? Whodunnit, with what, and where? And that’s what you get with SUFT’s current production of the iconic boardgame-turned-movie-turned-play. Clue, directed by Ed Higgins, is a madcap chase of characters all throughout Boddy Manor in an attempts to solve the age-old question of whodunnit? as the bodies pile up throughout the evening.

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