Raise your strength, raise your spirit, raise it so the angels can hear it! Raise some heat! Raise some Cain! Raise it to a higher plane! And The Long Green Valley Players are RAISING IT!!! Not only have they raised themselves up like Lazarus after a good double-decade hiatus, but they are raising up the joy— the spirit— and their voices at St. John’s this summer with their reboot-inaugural production of Sister Act.
Inside the sadness there is joy; a powerful and universally true statement, no matter what your situation may be. And The Notebook is steeped deeply in both sadness and joy. Now touring Broadway at The National in Washington DC through the end of August, this tragically beautiful story— with music and lyrics by Ingrid Michaelson and book by Bekah Brunstetter, based on the novel by Nicolas Sparks— has a lot of really exquisite moments woven throughout and features some incredibly talented performers to narrate that tale.
Love is an open door! Love is putting someone else’s needs before yours. Disney’s Frozen was a game-changer in redefining what an act of true love really could be; so many Disney fairytale animated features (and subsequent Broadway musicals) depended on the princess finding her prince and true love’s first kiss. And while there’s a total side-plot component in Frozen, this wintery-wonderland-fairytale musical is all about the love of family.
Red…yellow…green…brown…scarlet…black…don’t tempt me. I know all 29 colors by heart— Sara Bosworth of Lansdowne Middle School ensured that every kid in that production could say, sing, spell, and recite in order the colors of Joseph’s coat in the spring of 1998. I’ve been married to this production for almost as many years as the coat has colors. And seeing my umpteenth production from church basements to national touring houses and everywhere in-between— Joseph &
Everything I learned that gets me through the worst, I learned at my Mama’s knee. And I invite her along plenty to come see musical theatre, out and about with me. And while she couldn’t make it to the opening of Cockpit in Court’s Footloose— my Mama says, it doesn’t matter, if you’re a first-timer or you been there before, you better get your tickets to see that show, before they ain’t got tickets no more!
Secrets are the enemies of passion! Speaking truth will get you through the day. Truth is not a thing that one should ration— and believe me as I open up and saaaay—
Actually…they do a lot of the saying. I’m just doing the asking. In this sit-down, round-robin TheatreBloom interview, we’ve got seven Addamses and two Beinekes* talking all about their current experience of working on The Addams Family musical, opening on Sunday August 16th 2026 at Beth Tfiloh Community Theatre.
In this hot summer heat if you need someplace cool to go—
Prepare yourself for a sensational show.
They put the ‘hell’ in hello, and you’re in for one hell of a ride
When you come see River Stone Theatre Company’s production of Bonnie & Clyde.
Why? Well, ‘cause ain’t nothin’ rhyme with Clyde & Bonnie. This rarely produced musical is currently appearing at the Opera House in Havre de Grace as River Stone Theatre Company’s third main-stage show and is directed and choreographed by Lauren Hampton,
Every adventure requires a first step! Even if you don’t know what comes next! It’s time to take that first step and go on a wonderful adventure— and spoiler, I’ll tell you what comes next! Why it’s a wonderful, heartfelt, hour(ish) long show performed by 16 terrific young actors who are doing their show’s namesake— they are daring to dream! Hop on that magic carpet and soar on over to the Court Jesters (the junior division of Cockpit in Court) for this magical production of Disney’s Dare to Dream Jr.
Positivity is a luxury that few can afford! But I’m positive that you’ll want to catch Beetlejuice now that it’s returned home to The National Theatre for a two-week summertime engagement! It’s a show about death! And they tell you that straight away— no punches— no surprises— well, plenty of surprises, but not about the whole “being dead thing.” Based on the Geffen Company Picture of the same name, with story by Michael McDowell &
author: Ryan J. Bordenski
Good times never seemed so good (so good! so good! so good!), especially when The Neil Diamond Musical: A Beautiful Noise, is here in town at The Hippodrome, and you will be tapping your feet and screaming the lyrics, as if you were at a Neil Diamond concert! Side note: a moment of celebration and high praises in store for this touring cast celebrating not only a little over two years of touring together,
A little bit of this… a little bit of that… And— only 94 actors!? That’s a new tradition for Howard County Summer Theatre! Marking their 50th annual production (founded in 1975 but there was a pandemic in there for a summer or two), HCST brings the iconic musical of tradition to the stage— for the 3rd time (1988, 2015, and now.) Directed by Tom Sankey with Vocal Direction by Miriam Kook, Choreography by Kassi Serafini,
A million lights are dancing— and there they are, a shooting star (ten of them, actually!) An everlasting world, lovely-in-blue…and they’re there with you! Must be—
Xanadu
ELO, ONJ, OMG, and all that jazz! It’s Venice… okay Venice Beach…well, Essex at CCBC but we’ll suspend our disbelief for this fun and whimsical bit of theatrical cotton candy. The iconic and camptastic screen-to-stage gem Xanadu is glittering its way onto Cockpit in Court’s main stage as the first of a five-show season (two upstairs,
author: Charles Boyington
“How will we do it when it’s never been done? How will we find a way, where there isn’t one?”
Buy your ticket now and see this show! Suffs by Shaina Taub and directed by Leigh Silverman, now playing at the National Theatre in DC, is extraordinary: a “do not miss” theatrical event! The packed house went wild with praise and applause!
author: Mike Zellhofer
I have a friend who told me, “I start every day looking for heaven on earth; and when I find it, that is for what I am grateful.” Yesterday I found my heaven on earth at Govans Presbyterian Church, where the Woodbrook Players put on a fabulous performance of Godspell. This was the revised 2012 version, and the latest in the bevy of Godspells.
author: Ryan J. Bordenski
Do you love angst and grunge fashion of the early 2000s? Do you love putting on layers upon layers of eyeliner? Do you love banging and bopping your head along to some punk rock anthems? Or, do you simply love Billy Joe Armstrong, and the rest of Green Day? If you answered YES to any of these questions, then you should head over to Silhouette Stages in Columbia for their latest production of Green Day’s American Idiot.
It’s… a… musical! A Mus-i-cal! Theatreworks Live is doing an amazing musical! With song and dance and sweet romance and happy endings by happenstance! They’re giving you bright lights— stage fights— and a razzle-dazzle ensemble…oop! Nothing rhymes with ensemble! But it’s still… a… musical! Yes! A Musical! In fact, it’s Something Rotten! on their stage, that’s the musical! That’s right, they’re fancy! And they are bringing you moments of culture and art and a whole lot of talented young performers who just can’t wait to show you all of their singing,
Lifting as we climb, onward and upward we go! The rallying cry of Suffs— women on the march! Women on the move! And these women will show you who they are as they march for justice, for freedom, for equality! And they’re bringing that march right through the heart of Charm City— to Baltimore’s Hippodrome Theatre! The First National Tour of Suffs plays a limited week-long engagement at The Hippodrome and it’s playing in one of the most crucial moments in history.
They’re merely soldiers in petty coats? Right? Think again, Mary Poppins, these are not your grandma’s suffragettes. I mean, technically, from a timestamp point they’re you’re grandma and maybe even your great-grandma’s suffragettes, but this is a whole new spin on the movement and after its critical success on Broadway, it’s currently touring its way across the nation as a part of the Broadway Across America series. What show? Suffs, of course!
You’ve already won me over, in spite of me, and don’t be alarmed if I fall, head over feet. The album I played so many times in middle school I scratched the CD and had to ask for it for Christmas. Twice. ANd then it became a stage musical. And now it’s making its area debut at Scottfield Theatre Company in Havre de Grace. And isn’t it ironic– don’t you think? It’s a ferocious piece of theatre that is evocative and visceral and way too relevant for the world we live in;
Tie the fishline.
Open the mailbox.
Drop the glue trap.
And maybe you’ll pull back— a pair of tickets to see Kimberly Kimbo, currently touring the nation, and making a pit-stop in Baltimore later this month! In the meantime, we’re having a good-old-fashioned phone-interview (feels appropriate for a show set in the 1990’s, right?) with Emily Koch, playing Debra, and she’s got lots to say about just how excited she is to see you at the show!
Free country: means your dreams can come true here. Right?
Not exactly an accurate reflection of the country in which we currently live. And if anyone tries to tell you that politics don’t belong in theatre and you believe them? I’ve got some oceanfront property in Nebraska to sell you. Once belonged to Abraham Lincoln too. It’s a fiery, unprecedented world in which we currently live and Laurel Mill Playhouse is stepping up to the plate with their current production of Stephen Sondeheim’s Assassins,
author: Chris Pence
When You Believe: The Prince of Egypt at Artistic Synergy of Baltimore
Anyone who has ever set foot in a church knows the story: a mother fearing for her firstborn’s safety sets the baby in a basket to flow down the Nile toward Egypt, and towards his fate. The baby grows into the most influential prophet of Judaism, as well as one of the most important in Christianity,
author: Leonard Taube
If you’re like me, you’re tired of this weird Maryland weather we’ve had this winter. A month ago, we were gripped in an ice age for what seemed like forever, and the snow from a major storm did not melt for weeks. Then last week Mother Nature gave us a taste of summer, with a few 80+ degree days, but what a tease Ms. Nature is because then we flipped back to cold.
Caption: Live theatre production on stage for month of March.
No.
Caption: Emotionally evocative musical theatre show happening in heart of Columbia.
Or—
Caption: Fun Home making area community theatre debut with Silhouette Stages at Slayton House Theatre under direction of Stephen Foreman and musical direction of Dave Foley.
That’s the one.
This expressive and emotionally visceral musical (Lisa Kron- book &
When is soon? Well, sometime between now and later, of course! But you’d better not wait until later— because the time is NOW! To get your tickets to see the delightfully heartfelt production of A Year With Frog and Toad (TYA-edition) at Children’s Playhouse of Maryland. Directed by Liz Boyer Hunnicutt, with Musical Direction by Charlotte Evans, and Choreography by Lauren Stuart, this quaint and charming little musical details its namesake based on the illustrated children’s books by Arnold Lobel.
author: Lisa Standish
There’s a certain magic that happens when a beloved classic finds a fresh stage to call home, and that is precisely what occurred as Phoenix Festival Theatre followed the Yellow Brick Road to the newly renovated Chesapeake Theater. Bringing the 1939 MGM masterpiece to life with vibrant energy, this production of The Wizard of Oz manages to bridge the gap between silver-screen nostalgia and high-spirited live performance. Based on the timeless story by L.
author: Leonard Taube
Do you know what it’s like to die alive? That may be a heavy question, but it’s one that Diana asks and sets the stage for an evening of intense, raw, gut-wrenching drama. Iron Crow Theatre’s production of Next to Normal opened at the beautiful M&T Bank Exchange this evening to a large house and more than a few wet eyes. You simply cannot be unmoved by its subject matter and,
People never see themselves as other people write them. And when you write them walking into a tangled web of film-noir meets golden-aged Hollywood with musical theatre camp and coziness all cuddled up together on the squarish stage of Colonial Players, well that’s one script you just have to see to believe. City of Angels— that rarely produced hybrid gem of show-inside-a-show like a nesting doll of page-to-screen-to-stage— is now playing as the penultimate production of the 77th season at Colonial Players of Annapolis.
Music isn’t supposed to be perfect. It’s supposed to be about making something together. Theatre too. And that’s what makes Stereophonic so perfect. It’s no wonder it took home five Tony Awards, including best play, in 2024. The imperfections. The rawness. The realness. The ugly, gritty truth of desperation seeking to be perfection guised as making music— that is theatrical perfection incarnate. Stereophonic is a transformative theatrical experience— a true rare bird amidst the era of “Oprah Musicals” (you get a musical,
The Suburban Players did it in style! So set back and let them be your— well it’s not a TV Guide— because they’re live in living color for their 51st production. And it’s a doozy! Catch Me If You Can is flying to Saint Demetrios Greek Orthodox Church this February and it’s a smashing success! Directed by Lauren Hampton with Musical Direction by Steven Edward Soltow and Choreography by Amie Bell, this zippy zinger of a musical comedy,