The history of the world, my sweet, is who gets eaten and who gets to eat! But fortunately it’s also clear— that everybody goes down well with beer! And a side of ECT. Or at least that’s what’s being served up as Vagabond Players kicks off their 111th season this fall with their innovative and visionary new production of Sweeney Todd: The Demon Barber of Fleet Street.
This was just a moment in the woods— again, please!
165 minutes, give or take an intermission, to be semi exact, and they’ll do it again for 2,475 more minutes over the course of the next three weekends. Give or take, as I chose theatre and the arts not math and numbers. But whichever of your minutes you have to spare over the next several weekends, give them to The Maryland Ensemble Theatre by going to see their production of Into The Woods.
You wish to go to the— METstival? And it’ll be AGONY if you don’t get a ticket? A season ticket!? Or a ticket to any of their terrific five-mainstage, four-Fun-company— yeah it doesn’t really work after that because their Comedy Nights are sooooo expansive— at least five active teams plus the return/kickstart of some other fun endeavors— but you get the idea! Maryland Ensemble Theatre is kicking off their 29th season and there is so much in-store— you might even say they are not throwin’ away their shot!*
In fantastical Maryland Ensemble Theatre fashion,
Free country: means your dreams can come true here. Right?
Not exactly an accurate reflection of the country in which we currently live. And if anyone tries to tell you that politics don’t belong in theatre and you believe them? I’ve got some oceanfront property in Nebraska to sell you. Once belonged to Abraham Lincoln too. It’s a fiery, unprecedented world in which we currently live and Laurel Mill Playhouse is stepping up to the plate with their current production of Stephen Sondeheim’s Assassins,
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Phone rings, door chimes, in walks— Company. Damascus Theatre Company (in partnership with the city of Gaithersburg) is presenting this Sondheim classic for three weekends during February and it’s a heartfelt joy with a lot of beautifully humorous moments that really bring the show to life. Directed by Rachelle A. Horn, with Musical Direction by Keith Edward (live orchestra conducted by Stuart Y. Weich), and Choreography by Karen Kushner Creel,
author: Bill Kamberger
Stephen Sondheim called this show “a musical thriller,” and he was dead right. The plot, which depicts an understandable attempt at revenge that spirals into indiscriminate serial killing, provides many thrills and even more chills, but the music is the most thrilling of all. It frequently gives a listener chills in the most beautiful sense, even when it is sending a shiver up the spine as well. Several famous concert presentations of the score have proven that it can thrill even with minimal staging,
author: Jamie GerhardtÂ
“Phone rings, door chimes, in comes Company!”—and in comes Company at Silver Spring Stage, which opened to thunderous applause and a much-deserved standing ovation. This production closes out Silver Spring Stage’s 56th Season with an intimate and thought-provoking experience. Company originally opened on Broadway in 1970 with music and lyrics written by the incomparable Stephen Sondheim and book written by George Furth. Honestly, if you’re reading this,
author: Chris Pence
Something in the Glade There: Into The Woods at 2nd Star Productions
We all remember those classic fairy tales from our childhoods, always ending with “Happily Ever After.” But what happens after Happily Ever After? Into The Woods ventures into the forest of our feelings and yearns to determine what exactly we’re saying when we mutter “I wish” to the brightest evening star.
author: Jake Schwartz
A show that spans multiple decades… but in reverse? Damascus Theatre Company presents Merrily We Roll Along at the famous Gaithersburg Arts Barn. Directed by Keith Edward, Merrily tells the story of three “old friends”, Franklin, Charlie, and Mary, and their writing journey. Edward’s direction was clear, the staging was clever, and his concept was fascinating (pay attention to the changes to the set over time.)
Technically,
author: Leonard Taube
Somebody hold me too close. Somebody hurt me too deep. Somebody sit in my chair and ruin my sleep and make me aware of being alive. That’s the plea of protagonist Bobby in Stephen Sondheim’s musical Company (book by George Furth) which is being produced by community theatre group Players On Air and gracing the stage of the Coppermine Pantherplex in Hampstead, MD. Originally produced in 1970 Company was nominated for 14 Tony Awards and won six.
Into The Woods without delay! But careful not to lose the way… Into The Woods who knows what might be lurking on the journey. Into The Woods to get the thing that make it worth the journeying— be it cow, wish, potion or festival…Street Lamp Community Theatre makes it worth your journey all the way up to Rising Sun to see their impressive production of the Sondheim beast that is Into The Woods.
author: Jake Schwartz
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Anyone need a shave? Why not come on down to Fleet Street? Or even better – why not come down to Rockville Musical Theatre’s production of Sweeney Todd: The Demon Barber of Fleet Street.
We need to start by saying Director Karen Fleming does a PHENOMENAL job with this production. The show was a well-oiled machine, and while the run time was nearly 3 hours: it didn’t feel that way at all.
Every moment is a moment when you’re in the woods— again please.
It’s the Vagabond Players’ turn to try their hand at Sondheim’s most beastly bear…Into The Woods, under the co-direction of Audra M. Mullen and Kerry Simons, launches its five-weekend run as the first show of the company’s 109th season. With Musical Direction by Stephen M. Deininger, this challenging Sondheim musical has a few twists, turns, and pleasant surprises in store for audiences who are familiar with the work,
The more he bleeds the more he lives…he never forgets and he never forgives…not Sweeney… not Sweeney Todd…and you do not wish to be on his hit list, I assure you. Rogue Swan Theatre Company, celebrating their ten-year anniversary, has gone all out— not just the spacious stage and auditorium of Havre de Grace’s STAR Centre— but they’re producing Sweeney Todd: The Demon Barber of Fleet Street on said STAR Centre’s mainstage and this beast of a Sondheim musical is waiting with glistening razor edge and an unusually unique Rogue Swan hallmark stamped across its existence.
author: Amanda N. Gunther
Angry men don’t write the rules and guns don’t right the wrongs. A debatable truth from “The Ballad of Booth” inside of a Sondheim show. What’s not up for debate is the caliber and quality of the production of Assassins now appearing live at Silver Spring Stage— their first musical in 27 years! And it’s quite the impressive feat considering it’s their first musical in nearly three decades and it’s a Sondheim to boot!
Right and wrong don’t matter in the woods… only feelings. And the feeling is that Woodbrook Players has some talented vocalists appearing in their current production of Stephen Sondheim’s Into The Woods. Directed by Ron Oaks with Musical Direction by Bryan Alston, this iconic fairytale-gone-wrong musical brings all of your favorite storybook characters together to unravel their stories amid the darkness of the woods. Sondheim is a bear at the best of times (not featured in this particular woodsy setting,
Somebody hold me too close. Somebody hurt me too deep. Somebody sit in my chair and ruin my sleep and make me aware of being alive. Being alive. That’s the plea of protagonist Bobby in Stephen Sondheim’s musical Company (book by George Furth) which is currently gracing the stage in the elegant Opera House at The John F. Kennedy Center for The Performing Arts in our nation’s capital. Originally produced in 1970 Company was nominated for 14 Tony Awards and won six.
When Director Roy Hammond got the rights for Merrily We Roll Along in 2019, little did he know a pandemic and some Broadway wizardry would interfere. But it’s up! And it’s amazing! This 1981 musical covers the trials and tribulations of three artistic friends … backwards … starting with their ultimate breakup and ending with the hopeful youths staring up on a roof in October 1957. Being Sondheim, you’ll be hard pressed to whistle a melody on the way home,
No one can help. Nothing can hide you. Isn’t that Sweeney there beside you? Sweeney— Sweeney— there— there! There! THERE! And if you’re in the state of Maryland the demon barber of fleet street is literally everywhere right now. With no fewer than three theatres producing the bloody Sondheim classic, it’s no wonder that Small Town Stars Theatre Company wanted to throw their hat in the ring and invite you to attend their tale of Sweeney Todd: The Demon Barber of Fleet Street.
“Spit it out, dear. Go on. On the floor. There’s worse things than that down there.” – Mrs. Lovett
And she’s right. In a world where borders are overlooked, people are minimalized, and one pill or another is all you need what ails you, the floor of humanity is riddled with disgust. The Havre de Grace Opera house has found a way to give us a three-hour respite from what lies outside their doors.
Splendors you never have dreamed all your days— my lucky friends! With spooky season upon us, you’ll have your pick— there seems to be a Sweeney in every market this October! Live in or around Frederick and that side of the state? Other Voices Theatre has got your covered with their production of Stephen Sondheim’s Sweeney Todd: The Demon Barber of Fleet Street. Directed by Amy Hebb, with Musical Direction by Paul Cabell,
*gasp* A theatre!
Wait! What’s your rush? What’s your hurry?
You’re in for such a treat— thought that they were closed—
Hang on a minute, go and sit! Sit you down! SIT!
They’re so excited, they haven’t seen an audience for months—
Did you come in for a show, folks?
Do forgive them, they’re putting Sondheim on the stage…
What was that?
 A rarely produced Sondheim. Perhaps one of Signature Theatre’s signature marks as they frequently unearth some of the lesser recognized or at the very least, lesser attempted, Stephen Sondheim works. Pacific Overtures is no exception for this season. The irony of white men creating the musical narrative for Eastern culture is not lost on anyone, particularly not Musical Director Alexander Tom, who is a Chinese and Vietnamese American. In a phone interview with the show’s musical director,
Every moment is a moment when you’re in the woods. Be careful what you wish for, bring a slotted spoon to catch the potato, and nice is different than good. Direct from Broadway (including an opening weekend surprise of Andy Karl re-joining the company for the weekend), the darkened Sondheim Fairytale launches its National Tour debut from The John F. Kennedy Center for the Performing Arts. Are you ready to go Into The Woods?
Let’s start by saying that Into the Woods is one of the most accessible and beloved musicals of Stephen Sondheim. The book by James Lapine and the music and lyrics by Sondheim offer everything we want from a musical. It has catchy tunes, fascinating subplots, cleverness, magic, love stories of all sorts and a call for the audience to use their imaginations. The current incarnation of this play at Signature Theatre, directed and choreographed by Artistic Director Matthew Gardiner,
Two midnights gone. The slotted spoon doesn’t hold much soup
but it can catch— well, in this case, the Phoenix Festival Theatre production
of Stephen Sondheim’s Into The Woods appearing now as a part of LIVE! at
Harford Community College. Directed by Dickie Mahoney and with Musical
Direction by Terri Matthews, the iconic fairytales of happily after plague the
stage in a warped and twisted fashion, craftable only by the depraved mind of Sondheim.
Just a single little finger can change the world.
9— Dayton, Ohio August 4, 2019
22— El Paso, Texas August 3, 2019
3— Gilroy, California July 28, 2019
34 people dead from just a single little finger.
Something just broke.
It’s the strap-line for Stephen Sondheim’s Assassins now
open and running at Signature Theatre in Shirlington, Virginia. And they’re not
wrong.
Attend the tale of Sweeney
Todd. The opening line should be enough to entice anyone to visit this dark
and bloody Sondheim event at The Heritage Players. The second in their annual “musical
theatre concert” series, this year’s devious stage offering is none other than
the bloody demon barber of fleet street. Sweeney
Todd, Directed by John Gary Pullen with Musical Direction by David Zajic,
and Vocal Direction by Sharen Camille,
Amanda N. Gunther | TheatreBloom
Everything’s coming up Toby’s! Everything’s coming up— TOBY’S!
Let them entertain you with their stunning, thrilling, exciting, and magical
production of Gypsy. Directed by Mark
Minnick and Toby Orenstein with Musical Direction by Ross Scott Rawlings, the
truth of a brilliant story is told in earnest, with the heart of that gripping
tale at the forefront of the show creating honest theatrical magic for everyone
who comes to the table and lets the cast and crew of Gypsy entertain them.
“The history of the world, my love, is those below serving those up above.” The daunting lyrics of Stephen Sondheim seem to echo through our world at present, where at the top are seated those privileged few making mock of the vermin in the lower zoo, and what better way to exemplify this than to take one of Sondheim’s darker musical classics and spin it on its head in a modern vent? Rep Stage is giving you Sweeney Todd: The Demon Barber of Fleet Street with this concept firmly in mind.