author: Charles Boyington
“How will we do it when it’s never been done? How will we find a way, where there isn’t one?”
Buy your ticket now and see this show! Suffs by Shaina Taub and directed by Leigh Silverman, now playing at the National Theatre in DC, is extraordinary: a “do not miss” theatrical event! The packed house went wild with praise and applause!
author: Mike Zellhofer
I have a friend who told me, “I start every day looking for heaven on earth; and when I find it, that is for what I am grateful.” Yesterday I found my heaven on earth at Govans Presbyterian Church, where the Woodbrook Players put on a fabulous performance of Godspell. This was the revised 2012 version, and the latest in the bevy of Godspells.
author: Ryan J. Bordenski
Do you love angst and grunge fashion of the early 2000s? Do you love putting on layers upon layers of eyeliner? Do you love banging and bopping your head along to some punk rock anthems? Or, do you simply love Billy Joe Armstrong, and the rest of Green Day? If you answered YES to any of these questions, then you should head over to Silhouette Stages in Columbia for their latest production of Green Day’s American Idiot.
author: Lisa Standish
It is a special treat to watch a community theater production where the love for the craft is palpable from the moment you walk in. Phoenix Festival Theatre’s current production of Rent, running now through June 14th at the Chesapeake Theater, is a vibrant, visually stunning testament to the talent in our community. Under the spectacular vision of co-directors and choreographers Bambi and Eyvo Johnson, this production feels both fresh and deeply respectful of the source material.
All religion is a mania. And the maniacs are going to be coming after Charles Busch (the farce-loving playwright) for The Divine Sister. How do you solve a problem like Maria? Or a problem that you— ‘can’t face’? (Put that one in a British accent while you’re at it) well…take a hearty dose of holy high hilarity down at Vagabond Players to close out their 110th season. Whoever greenlit this one as the season closer has got a bone to pick with the big guy upstairs… or big girl?
author: Erin Tarpley
“You’re my wife and I’ve grown to like you”
Relationships are complicated. Familial, romantic, religious, friendships, cultural, marital… you name it. Nothing is ever completely easy. But these different types of relationships have a way of further complicating things when they come together in a sort of spider’s web of rules and expectations that can both entwine and suffocate any individual. And in Somnia Mari Feral’s world premiere production of Bounce,
author: Ryan J Bordenski
Something big, bold, and beautiful is happening in Baltimore, and it’s here just in time for Pride Month! That’s right: we are talking about The View Upstairs, over at Iron Crow Theatre, directed by Sean Elias, stage managed by Haley Baugues, assistant stage managed by Lauren Marsh and Janell Hill (special shoutout to Hill for the iconic spotlight moments), and produced by Natka Bianchini. This queer musical debuted Off-Broadway in 2017,
It’s… a… musical! A Mus-i-cal! Theatreworks Live is doing an amazing musical! With song and dance and sweet romance and happy endings by happenstance! They’re giving you bright lights— stage fights— and a razzle-dazzle ensemble…oop! Nothing rhymes with ensemble! But it’s still… a… musical! Yes! A Musical! In fact, it’s Something Rotten! on their stage, that’s the musical! That’s right, they’re fancy! And they are bringing you moments of culture and art and a whole lot of talented young performers who just can’t wait to show you all of their singing,
Lifting as we climb, onward and upward we go! The rallying cry of Suffs— women on the march! Women on the move! And these women will show you who they are as they march for justice, for freedom, for equality! And they’re bringing that march right through the heart of Charm City— to Baltimore’s Hippodrome Theatre! The First National Tour of Suffs plays a limited week-long engagement at The Hippodrome and it’s playing in one of the most crucial moments in history.
You can’t control everything, Emma! But isn’t it fun to watch her try!? Yes! Yes it is! And far more than fun— it’s practically a divertissement of the most jubilant nature; it’s a rather uproarious, madcap enjoyment! Emma, the Jane Austen classic— as recently adapted by Kate Hamill for maximum rom-com tomfoolery— is situating itself onto the Everyman Theatre main stage as the final production of the 2025/2026 season. Directed by Laura Kepley,
author: Erin Tarpley
“She has no ideas or wishes of her own at all: where you put her, there she stays”
I am remiss to admit, that before this weekend I had never heard of the brilliant Madame Germaine de Staël; but then, this was one of the objectives for the initiative “Expand the Cannon” as their {We Happy Few} mission “uncovers and uplifts classic plays by women & underrepresented genders – and is a call to action to produce them.”
Having experienced Parisian life both before and after the French Revolution,
Welcome to Plasma Corp.
What happens here stays here.
And rots.
Because the world is murder. People just see what they want to see. They don’t care. And BROS enthusiasts who come out to see this show are going to have a field day, a blast, a rockin’ good time— because they will see what they want to see in American Vamp. (Concept and Original Pitch by Hanna F.
How now, summer spirit? Have you brought us hot ice and wondrous strange snow? Or a mess of Athenian lovers, a Faerie Brawl, and some Rude Mechanicals all dusted up in one moonlit spell? All of that, says you? Then you must be alluding to A Midsummer Night’s Dream at Just Off Broadway! The first of the Bard’s ilk to tread the boards at JoB and it’s a sensational production under the keen and goodly direction of Mistress Kelly Williams Carlson,
We all peel labels. The most innocuous, seemingly mundane line to not only land but stick indefinitely from a production that has arguably thousands of lines to choose from or resonate with. Edward Albee and Betty Brevity are not besties (spoiler: neither are she and I!) but there’s a reason his verbose textual structure has garnered him the success and accolades that it has through the decades of his works’ existence. But that one line— “we all peel labels” is the most brutally exacting descriptor for what’s happening in this current production of Who’s Afraid of Virigina Woolf?
13. Being wholly in the moment with that one companion who just sees you no matter which you that you are in that moment, feeling loved, seen, and appreciated by that whole person and their whole being as you are being your whole self.
28. Face Glitter.
422. Home-grown Nasturtium blossoms
649. Not understanding how time can move so quickly and so slowly all at once and not at all.
author: Steven Kirkpatrick
Based on the iconic Jazz Age novel by F. Scott Fitzgerald, The Great Gatsby rolls glitteringly into the National Theater from May 12th-24th. This 2023 musical adaption features music and lyrics by Jason Howland and Nathan Tysen and a book by Kait Kerrigan. It opened on Broadway in 2024, then had its European premiere in 2025, followed by this North American tour in 2026. Should you attend?
author: Lisa Standish
Entering Street Lamp Community Theatre is always a treat, but their current production of Rent takes their signature intimacy to a whole new level. The beauty of this venue lies in how the creative team transforms a modest space into a completely immersive experience. As you walk in, the set greets you with a surprisingly childlike quality—featuring a slide and scaffolding—that serves as a reminder that despite the heavy themes of the story,
Theatre is like a box of chocolates. You never know what you’re gonna get.
If you’re feeling a little nostalgic checking in with that opening line then you’re on the right path.
How you doin’? Betcha you’ll be da bomb after you hit up the current production of Salome with The Rude Mechanicals at Greenbelt Arts Center. Conceptualized and directed by Wes Dennis, this Oscar Wilde…adaptation doesn’t seem like the right word here,
Has your country gone broke? Are you about to have to go back to the ‘dark times’ where only one pomegranate per household per year? Are you on the verge of total extinction in your five-mile by three-mile country that NATO likely doesn’t recognize? Then have we got a solution for you! Why, declare war, of course! On the United States! Because there’s no conceivable universe— past, present, future, or otherwise— where you could win that war,
They will make you see how the world could be, in spite of the way that it is. They will sing you a song so beautiful that it brings the world back into tune. And where are you going? You’re going way down— Hadestown (Teen Edition) – way down under the ground. 21 young performers, one old, sad song— and they’re gonna tell it. They’re gonna tell it again. Children’s Playhouse of Maryland is living it up on top with their stellar and sensationally charged production of Hadestown (Teen Edition) and it will move your heart,
Just sit right back and you’ll hear a tale, a tale of a Duke o’er-thrown
That ended him and his daughter dear, on an island all alone.
Though not so alone as they thought they were— among spirits of earth and air
And then a conjured-magic sea-spun storm that brought their en’mies there.
The plot then thickens there, my friend, and there’s so much more to say
About the entities and denizens that populate this play
Magic.
author: Charles Boyington & Steven Kirkpatrick
How is it possible that a show which revels in profane shock words and satirical (even blasphemous) humor, is simultaneously one of the sweetest, most life-affirming and faith-affirming shows you will ever see? How is it possible that every jab of satire is matched with such lovely, uplifting charm that you’ll be cheering and swaying along with Elder Price, ready to affirm too,
It’s Saturday night— in Baltimore City— and there’s parties everywhere— but we’d rather be at Kimberly Akimbo! Which is in Baltimore City, at The Hippodrome Theatre, through Sunday evening, truth be told! And this is the ugly-cry-feel-good musical that you didn’t know you needed. Evocative and tender, filled with the mots profound emotional expression of laughter-through-tears, this stunningly realistic musical that highlights familial and life-living dysfunction without glorifying it or shying away from it is exactly what the world needs right now;
author: Chris Pence
Do Not Be Stingy With The Blintzes: You Can’t Take It With You at Spotlighters Theatre
Now, stop me if you’ve heard this one: What do you get when you cross a tax-evading retiree, a wannabe playwright, a fireworks-obsessed husband and his best friend, a dancer, a xylophonist, a jealous housekeeper, a drunken actor, two Russians, a Scot, a Wall Street bigwig and his wife, some star-crossed lovers,
We’ve all got our crew. Our people, our peeps, our “I need help moving a body”— Grey’s Anatomy defined it as “our person.” And several of us have a small army or contingency, but we’ve all got our ‘4a.m. friends’ as the tile of Endangered Species Theatre Projects’ newest work blatantly states. The takeaway from the play is that friends are important. The relationships that you cultivate over the years (and not all good friendships take decades to cultivate) are the ones that float you through life.
Hold onto your socks!! Because the MET Fun Company knows how to rock!! And they are ready to rock your socks right off with their adorably nostalgic production of Arthur and Friends Make a Musical. Based on the Arthur book series by Marc Brown, this quaint little kids show, which is wholly appropriate for both the youngins and those of us that grew up in the 90’s watching Arthur on PBS,
You’ve already won me over, in spite of me, and don’t be alarmed if I fall, head over feet. The album I played so many times in middle school I scratched the CD and had to ask for it for Christmas. Twice. ANd then it became a stage musical. And now it’s making its area debut at Scottfield Theatre Company in Havre de Grace. And isn’t it ironic– don’t you think? It’s a ferocious piece of theatre that is evocative and visceral and way too relevant for the world we live in;
Just what kind of community do you want to live in? Ask yourself that the next time you think about running for town council or stepping up to attend a city hall meeting. It’s a valid question. What kind of community do you want to live in? It’s a surface level question that could have a surface level answer. It could also be a fathomless question with a bottomless answer that really gut-checks reality for you.
author: Rick Bergmann
Comic Chaos at its Finest: Moon Over Buffalo at MAD
There are certain classics in community theatre that, when done well, always bring joy to the stage. Ken Ludwig’s Moon Over Buffalo is one of them. This fast-paced comedy follows fading stage couple George and Charlotte Hay as they perform repertory theater in Buffalo while desperately hoping for a big Hollywood break. When they learn that a famous director might attend their show,
author: Chris Pence
Photographs & Memories: Her Portmanteau at Strand Theatre Company
Culture shock is a very real side effect of immigration, to which family can be both a cure and an agitator, in varying degrees. As a first-generation Nigerian-American storyteller and educator, Mfoniso Udofia knows these struggles intimately, sharing her understanding through Her Portmanteau, a profound dive into the hearts and minds of a family working to find connection despite a divide carved by 30 years and 5,300 miles of distance.