When the crypt doors creak and the tombstones quake…
Hmm. That’s not quite right.
Pumpkins scream in the dead of night?
No. Not that one either.
It’s just a jump to the left… ooh, no. Not quite. No steps to the right either.
Oh! I know. Let me borrow some favorable verbiage from Mr. Crosby. “Gather ‘round while I elucidate on what happens outside when it gets late…” but only if you’re in that well-known town of Sleepy Hollow.
Everything in existence takes its color from the hue of our surroundings. When the hue of your surroundings is shrouded in mystery and tingling chills the resulting artwork can be quite chilling this time of year. Debuting as a world premiere at The Twin Beach Players, The Island of Doctor Moreau as written and adapted by Baltimore-based playwright Mark Scharf arrives just in time for the spooky shades of autumn. In a TheatreBloom exclusive interview we sit down with Mark to discuss the inner musings of his new work.
Everyone dies; it is a fact of life. Fortune’s Child, a new work by Baltimore area playwright Mark Scharf has made its debut at the Baltimore Theatre Project this winter season of 2015. In a TheatreBloom exclusive interview, I’ve sat down with the playwright to discuss the work and what it is meant to tell the audiences who see it about living life.
Thank you for taking the time to sit down with the readers of TheatreBloom for this interview,