Articles Tagged With: theatre

Kim's Convenience at Everyman Theatre 📷 Teresa Castracane Photography

Kim’s Convenience at Everyman Theatre

“Look same…not same thing…” a repeated phrase in the first several minutes of Ins Choi’s Kim’s Convenience, the opening bid to Everyman Theatre’s 2026/2027 season. A perfectly humorous, deeply heartfelt, earnest exploration of family dynamic, expectations and dysfunction, this brilliant performance, as directed by Cara Hinh (in co-production with Indiana Repertory Theatre and Portland Center Stage) will tickle the funny bone, warm the heart, draw a tear or two to the eye,

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Much Ado About Nothing at Ardeo Theatre Company

Be vigitant! And if you have legs— you will come! To the final production of the 2026 Frederick Shakespeare Festival— Ardeo Theatre Company’s Much Ado About Nothing! Set in the bodacious and totally rad 1980s, this hilarious Shakespearean comedy is directed by Aaron Angello and features a mostly repertory cast from the FSF first main-stage show of 2026, Henry IV Part 1. Witty, humorous, heartfelt, and above all fun,

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(L to R) Evan Crump, Jake Urtes, Maureen O'Neal, and Gillian Shelly at rehearsal for Much Ado About Nothing.

Speak Low If You Speak Love: A Round-Robin Interview with Ardeo Theatre Company’s Much Ado About Nothing Folk

I will live in thy heart, die in thy lap, and be buried in thy eyes— and moreover, I will go with thee to— the black box at Tatem Arts to crash a rehearsal? Bet Shakespeare didn’t see that one coming! And neither, perhaps did the fantastic four— Beatrice, Benedick, Claudio, and Hero— as they were beset upon by me for a romping jaunt of a round-robin interview! In a TheatreBloom sit down exclusive, we’ve picked the brains of Shakespeare’s living finest…Gillian Shelly,

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Disney's Frozen at Glyndon Area Players

Frozen at Glyndon Area Players

Love is an open door! Love is putting someone else’s needs before yours. Disney’s Frozen was a game-changer in redefining what an act of true love really could be; so many Disney fairytale animated features (and subsequent Broadway musicals) depended on the princess finding her prince and true love’s first kiss. And while there’s a total side-plot component in Frozen, this wintery-wonderland-fairytale musical is all about the love of family.

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Return Engagements at Bowie Community Theatre 📷 Reed Sigmon

Return Engagements at Bowie Community Theatre

author: Ryan J. Bordenski

Love is in the air, but so is deceit, mockery, adultery, the withholding of information, lies, and…uh…dental procedures? But don’t worry; this is a comedy so everything will be funny and fine in the end, right?! Of course, I am talking about Return Engagements at Bowie Community Theatre. This farcical and comedic play by Bernard Slade tells the story of four unique and awkward couples who have separate chance encounters and trysts,

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Footloose at Cockpit in Court 📷 Trent Haines-Hopper/Real Good Pictures

Footloose at Cockpit in Court

Everything I learned that gets me through the worst, I learned at my Mama’s knee. And I invite her along plenty to come see musical theatre, out and about with me. And while she couldn’t make it to the opening of Cockpit in Court’s Footloose— my Mama says, it doesn’t matter, if you’re a first-timer or you been there before, you better get your tickets to see that show, before they ain’t got tickets no more!

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The Addams Family at Beth Tfiloh Community Theatre

When You’re An Addams: A Full-Disclosure Interview with The Addams Family (and some Beinekes) at Beth Tfiloh Community Theatre

Secrets are the enemies of passion! Speaking truth will get you through the day. Truth is not a thing that one should ration— and believe me as I open up and saaaay—

Actually…they do a lot of the saying. I’m just doing the asking. In this sit-down, round-robin TheatreBloom interview, we’ve got seven Addamses and two Beinekes* talking all about their current experience of working on The Addams Family musical, opening on Sunday August 16th 2026 at Beth Tfiloh Community Theatre.

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The Colored Museum at Silver Spring Stage 📸 Photos by Kelci Friend of Freckled Fox Photography.

The Colored Museum at Silver Spring Stage

author: Wes Dennis

I approached The Colored Museum with deep skepticism. Too often shows that spotlight aspects of the black American experience leave me shaken and incensed: not in a truly powerful or earned way, but in a way that I find offensive and even insulting. A play that ends with the dramatic reveal that a black youth has been shot to death may serve as a gut punch to white audiences,

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Bonnie & Clyde at River Stone Theatre Company

In this hot summer heat if you need someplace cool to go—

Prepare yourself for a sensational show.

They put the ‘hell’ in hello, and you’re in for one hell of a ride

When you come see River Stone Theatre Company’s production of Bonnie & Clyde.

Why? Well, ‘cause ain’t nothin’ rhyme with Clyde & Bonnie. This rarely produced musical is currently appearing at the Opera House in Havre de Grace as River Stone Theatre Company’s third main-stage show and is directed and choreographed by Lauren Hampton,

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Anatomy of Performance: An Interview with Nikki Ann Hartman on Her New Work Doll Parts… at The Voxel

A one-[trans]-woman show about memory, becoming, and transitioning gender in later life. If that sounds like a show that has piqued your interests, then Doll Parts… appearing at The Voxel in Baltimore from July 21st through July 25th 2026 is the show for you. Written and performed by Nikki Ann Hartman (Founding Artistic Director of The People’s Repertory Theatre Company) this new work will debut as a part of the summer residency program offered at The Voxel.

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Variations on Silence at Rapid Lemon Productions 📷 RLP

Variations on Silence at Rapid Lemon Productions

author: Chris Pence

The Sounds of Silence: Variations on Silence at Rapid Lemon Productions

“Hello darkness, my old friend / I’ve come to talk with you again / Because a vision softly creeping / Left its seeds while I was sleeping / And the vision that was planted in my brain / Still remains / Within the sound of silence.” Is silence truly just the absence of sound, or something more?

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Beetlejuice on tour at Broadway at The National in DC 📷 Matthew Murphy

Beetlejuice at The National Theatre in DC

Positivity is a luxury that few can afford! But I’m positive that you’ll want to catch Beetlejuice now that it’s returned home to The National Theatre for a two-week summertime engagement! It’s a show about death! And they tell you that straight away— no punches— no surprises— well, plenty of surprises, but not about the whole “being dead thing.” Based on the Geffen Company Picture of the same name, with story by Michael McDowell &

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Steven Todd Smith (lapped) as Hotspur and Maureen O'Neal (holding) as Lady Percy in a micro-scene from Henry IV Part 1 at the opening ceremony for the 8th annual Frederick Shakespeare Festival. 📷 Mandy Gunther

All O’ Frederick’s A Stage: And Unstrung Harpist, ESP, and Ardeo its Players

‘Zounds, I will speak of it; and let my soul want mercy, if I do not join with them!

And speak on’t I shall. Borrowing some words in true wordsmith fashion, a call to attend! Attend thyselves upon this festival of merriment, this festival of drawn-daggers and teacups (every family has one) and knavery and bloody history and comedy and tragedy and all! Tis true— tis The Frederick Shakespeare Festival upon which I dote and dare speak (and will be waiting for two of the directors to flounce me round the ears for my bastardization of Shakespeare’s tongue,

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Nick Fradiani (center) as Neil 'Then' and the company of A Beautiful Noise: The Neil Diamond Musical 📷 Jeremy Daniel

A Beautiful Noise at The Hippodrome

 

author: Ryan J. Bordenski

Good times never seemed so good (so good! so good! so good!), especially when The Neil Diamond Musical: A Beautiful Noise, is here in town at The Hippodrome, and you will be tapping your feet and screaming the lyrics, as if you were at a Neil Diamond concert! Side note: a moment of celebration and high praises in store for this touring cast celebrating not only a little over two years of touring together,

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Fiddler on the Roof at HCST 📷 Neil Rubino

Fiddler on the Roof at Howard County Summer Theatre

A little bit of this… a little bit of that… And— only 94 actors!? That’s a new tradition for Howard County Summer Theatre! Marking their 50th annual production (founded in 1975 but there was a pandemic in there for a summer or two), HCST brings the iconic musical of tradition to the stage— for the 3rd time (1988, 2015, and now.) Directed by Tom Sankey with Vocal Direction by Miriam Kook, Choreography by Kassi Serafini,

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Elizabeth Levy Malis (left) as A, with M. Eden Walker (center) as B and Josefina Olsavsky (right) as C in Three Tall Women at WFB Productions 📷 Teagle Walker

Three Tall Women at WFB Productions

They say you can’t remember pain. Maybe you can’t remember pleasure either. What does it matter, it’s all glitter anyway, isn’t it? What day is it? I scarcely know myself. Thursday, I think. Likely Friday by the time this makes print. Likely Friday by the time this show opens. Truth or illusion, though that might be the wrong Albee. Have to keep these things delicately balanced, you know. If you’re looking for something theatrically impressive,

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God of Carnage at Cockpit in Court 📷 Trent Haines-Hopper/realgoodphotos.com

God of Carnage at Cockpit in Court

Are you eccentric enough to believe in the soothing power of culture? Theatre is meant to be culture. Dark comedies are meant to be funny. And Yasmina Reza’s darkish-comedy God of Carnage (as translated by Christopher Hampton) certainly has its moments in the upstairs cabaret theatre space of Cockpit in Court, the first of two non-musicals included in the 2026 summer season. Directed by Gabriel Lewin, this edgy dark deviance divulges into the territory of “what happens when adults behave like children and fail to act like th grown-ups that they’re pretending to be?”

I’ve seen shows in the cabaret theatre space of Cockpit in Court since 2012,

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Lisa Pastella (left) as Melpomene with David Steinhorn (center) as Danny, and Amy Haynes Rapnicki (right) as Calliope in Xanadu at Cockpit in Court 📷 Trent Haines-Hopper/realgoodphotos.com

Xanadu at Cockpit in Court

A million lights are dancing— and there they are, a shooting star (ten of them, actually!) An everlasting world, lovely-in-blue…and they’re there with you! Must be—

Xanadu

ELO, ONJ, OMG, and all that jazz! It’s Venice… okay Venice Beach…well, Essex at CCBC but we’ll suspend our disbelief for this fun and whimsical bit of theatrical cotton candy. The iconic and camptastic screen-to-stage gem Xanadu is glittering its way onto Cockpit in Court’s main stage as the first of a five-show season (two upstairs,

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Suffs at The National Theatre

 

author: Charles Boyington

 

 

“How will we do it when it’s never been done? How will we find a way, where there isn’t one?”

Buy your ticket now and see this show! Suffs by Shaina Taub and directed by Leigh Silverman, now playing at the National Theatre in DC, is extraordinary: a “do not miss” theatrical event!  The packed house went wild with praise and applause!

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Godspell at Woodbrook Players

 

author: Mike Zellhofer

I have a friend who told me, “I start every day looking for heaven on earth; and when I find it, that is for what I am grateful.” Yesterday I found my heaven on earth at Govans Presbyterian Church, where the Woodbrook Players put on a fabulous performance of Godspell. This was the revised 2012 version, and the latest in the bevy of Godspells.

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The Ensemble of American Idiot at Silhouette Stages 📷 Shealyn Jae Photography

American Idiot at Silhouette Stages

 

author: Ryan J. Bordenski

Do you love angst and grunge fashion of the early 2000s? Do you love putting on layers upon layers of eyeliner? Do you love banging and bopping your head along to some punk rock anthems? Or, do you simply love Billy Joe Armstrong, and the rest of Green Day? If you answered YES to any of these questions, then you should head over to Silhouette Stages in Columbia for their latest production of Green Day’s American Idiot.

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Rent at Phoenix Festival Theatre 📷 Katelyn O'Connor

Rent at Phoenix Festival Theatre

author: Lisa Standish

It is a special treat to watch a community theater production where the love for the craft is palpable from the moment you walk in. Phoenix Festival Theatre’s current production of Rent, running now through June 14th at the Chesapeake Theater, is a vibrant, visually stunning testament to the talent in our community. Under the spectacular vision of co-directors and choreographers Bambi and Eyvo Johnson, this production feels both fresh and deeply respectful of the source material.

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Something Rotten! at Theatreworks Live 📷Matthew Peterson

Something Rotten! at Theatreworks Live

It’s… a… musical! A Mus-i-cal! Theatreworks Live is doing an amazing musical! With song and dance and sweet romance and happy endings by happenstance! They’re giving you bright lights— stage fights— and a razzle-dazzle ensemble…oop! Nothing rhymes with ensemble! But it’s still… a… musical! Yes! A Musical! In fact, it’s Something Rotten! on their stage, that’s the musical! That’s right, they’re fancy! And they are bringing you moments of culture and art and a whole lot of talented young performers who just can’t wait to show you all of their singing,

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Monica Tulia Ramirez (center on horse) as Inez Milholland and the company of Suffs 📷 Joan Marcus

Suffs at The Hippodrome

Lifting as we climb, onward and upward we go! The rallying cry of Suffs— women on the march! Women on the move! And these women will show you who they are as they march for justice, for freedom, for equality! And they’re bringing that march right through the heart of Charm City— to Baltimore’s Hippodrome Theatre! The First National Tour of Suffs plays a limited week-long engagement at The Hippodrome and it’s playing in one of the most crucial moments in history.

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Emma at Everyman Theatre 📷 Teresa Castracane Photography

Emma at Everyman Theatre

You can’t control everything, Emma! But isn’t it fun to watch her try!? Yes! Yes it is! And far more than fun— it’s practically a divertissement of the most jubilant nature; it’s a rather uproarious, madcap enjoyment! Emma, the Jane Austen classic— as recently adapted by Kate Hamill for maximum rom-com tomfoolery— is situating itself onto the Everyman Theatre main stage as the final production of the 2025/2026 season. Directed by Laura Kepley,

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The Mannequin at We Happy Few

author: Erin Tarpley

“She has no ideas or wishes of her own at all: where you put her, there she stays”

I am remiss to admit, that before this weekend I had never heard of the brilliant Madame Germaine de Staël; but then, this was one of the objectives for the initiative “Expand the Cannon” as their {We Happy Few} mission “uncovers and uplifts classic plays by women & underrepresented genders – and is a call to action to produce them.” 

Having experienced Parisian life both before and after the French Revolution,

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American Vamp at Baltimore Rock Opera Society

 

Welcome to Plasma Corp.

What happens here stays here.

And rots.

Because the world is murder. People just see what they want to see. They don’t care. And BROS enthusiasts who come out to see this show are going to have a field day, a blast, a rockin’ good time— because they will see what they want to see in American Vamp. (Concept and Original Pitch by Hanna F.

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(L to R) Gillian Shelly as Martha, Steven Todd Smith as Nick, Maureen O'Neal as Honey, and Aaron Angelo as George in Who's Afraid of Virginia Woolf at Ardeo Theatre Company 📷Michael Mason Studios

Who’s Afraid of Virginia Woolf at Ardeo Theatre Company

We all peel labels. The most innocuous, seemingly mundane line to not only land but stick indefinitely from a production that has arguably thousands of lines to choose from or resonate with. Edward Albee and Betty Brevity are not besties (spoiler: neither are she and I!) but there’s a reason his verbose textual structure has garnered him the success and accolades that it has through the decades of his works’ existence. But that one line— “we all peel labels” is the most brutally exacting descriptor for what’s happening in this current production of Who’s Afraid of Virigina Woolf?

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Every Brilliant Thing at Maryland Ensemble Theatre

13. Being wholly in the moment with that one companion who just sees you no matter which you that you are in that moment, feeling loved, seen, and appreciated by that whole person and their whole being as you are being your whole self.

28. Face Glitter.

422. Home-grown Nasturtium blossoms

649. Not understanding how time can move so quickly and so slowly all at once and not at all.

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Charlie and the Chocolate Factory at The St. Gabriel Miracle Players

Charlie and the Chocolate Factory at The St. Gabriel Miracle Players

In the end, there’s quite a prize if you can see with more than your eyes. And you’ll have to bring more than just your peepers along for the ride if you truly want to experience Charlie & The Chocolate Factory at St. Gabriel’s Miracle Players. You’ll need to bring your— IMAGINATION! Based on the novel by Roald Dahl, this newer musical theatre adaptation has more grizzly outcomes for the children as they traverse their way through Wonka’s chocolate factory and The Miracle Players are doing the best they can to bring you wonder,

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