Articles Tagged With: Motor House

Elizabeth Levy Malis (left) as A, with M. Eden Walker (center) as B and Josefina Olsavsky (right) as C in Three Tall Women at WFB Productions šŸ“· Teagle Walker

Three Tall Women at WFB Productions

They say you can’t remember pain. Maybe you can’t remember pleasure either. What does it matter, it’s all glitter anyway, isn’t it? What day is it? I scarcely know myself. Thursday, I think. Likely Friday by the time this makes print. Likely Friday by the time this show opens. Truth or illusion, though that might be the wrong Albee. Have to keep these things delicately balanced, you know. If you’re looking for something theatrically impressive,

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Oz Heiligman (left) as Young Edgar and Ian Blackwell Rogers (right) as Edgar Allan Poe in A Christmas Carol for Edgar Allan Poe šŸ“· Alan Kayanan

A Christmas Carol For Edgar Allan Poe at The National Edgar Allan Poe Theatre

ā€œBills don’t care about the holidays, Virginia.ā€ Not quite the same ring as that line about truly there is a Santa Claus. But then again, this isn’t exactly your grandfolks’ Christmas Carol either. A glorious blending of the macabre meets the holidays, which is sort of what Dickens intended when he wrote A Christmas Carol so many Christmas pasts’ ago, or at least that’s how it turned out— what with the ghosts and all.

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Oleanna at WFB Productions

Everybody needs to expose themselves to different points of view. There’s nothing wrong with that. It’s essential. But what happens when the viewpoints are so skewed there’s no good side to take? What happens when no matter whose viewpoint you see a scenario through you’re in the wrong? It’s exactly that type of dialogue that WFB Productions is attempting to encourage with their production of David Mamet’s Oleanna. Referred to as ā€˜not-your-mama’s’ Oleanna,

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Not Your Mama’s Oleanna: An Interview with M. Eden Walker & Teagle Walker on their company WFB Productions and their upcoming production of Oleanna

Not your father’s root beer. Not your granny’s bingo. Not your mama’s— Oleanna!? The David Mamet play, which I can recall studying a bit during my BFA program at UMBC (though I don’t think I’ve ever actually seen or reviewed live on stage) is coming to the Motor House for a limited three-performance engagement. With a brand new theatre company, getting its feet wet and spreading its theatrical wings. WFB Productions— a family-run small professional company founded by M.

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Serious Adverse Effects at Rapid Lemon Productions

Your mind is boundless. Allow this notion to guide you closure to the fullness of you. Or allow Rapid Lemon Productions and their first live on-stage performance of 2021 to guide you to the fullness of you. After over a year’s hiatus from live, in-person, on-stage performances due to the Covid-19 global pandemic, Rapid Lemon Productions is back in action with a world premiere of Serious Adverse Effects by upcoming playwright Derek Lee McPhatter.

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Sean Coe (left) as Albert, Whitley Cargill (center) as Jack, and Holly Gibbs (right) as Bessie in Give Me Moonlight

Give Me Moonlight

There are somethings that you cannot put into words;
experiencing the joy of a world premiere is one of those things. Rapid Lemon
Productions presents the world premiere of Give Me Moonlight by Ariel
Mitchell. This surrealist tale of historical happenings in rooted in the truth
of Albert and Bessie Johnson, who eventually built a castle in Death Valley. Directed
by Noah Silas, the play features just four actors and carries a loosely woven
narrative of hope and despair,

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The Deer in the Spotlight Productions company of Evil Dead: The Musical (2019) Photo: Matthew Peterson

Evil Dead: The Musical at Deer in the Spotlight Productions

Deadites always like to get their freak on! And when they
get together, they do the NECRONOMICON!!! It’s that time of year— that’s right,
fellow S-Mart shoppers! Time to pick up your BOOM Stick, lend good ol’ Ash a
hand, and— what the f*ck was that!? OH. It was Deer in the Spotlight Productions
bringing their sold-out sensational annual production of Evil Dead: The
Musical
to Baltimore for just two weekends this October.

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Evil Dead: The Musical at Deer in the Spotlight Productions

What the f**k was that?!? The theatre’s filled with zombies!

What the f**k was that?!? And there’s blood upon your shoe!

It can only be the cult classic Evil Dead: The Musical reincarnated for its third year, now appearing live with Deer in the Spotlight Productions! This year with TWO BLOODY LOCATIONS. Directed by Bob Denton & Bambi Johnson, with Musical Direction by Shane Jensen,

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Aida at ArtsCentric

Nubia will never die! And Baltimore’s own ArtsCentric is making sure of this is a known fact in their production of Aida, with music by Elton John, Lyrics by Tim Rice, and book by Linda Woolverton, Robert Falls, and David Henry Hwang. Kevin S. McAllister, Cedric D. Lyles, and Shalyce N. Hemby skillfully band together to bring a first-rate rendition of this timeless love story.

Kevin S. McAllister does a masterful job with his direction of this production.

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Memphis at ArtsCentric

Listen to the beat and you’ll hear what’s in their soul! Live from the center of your radio dial— just at the tippy-top end of Station North coming to you directly from The Motor House— ArtsCentric is bringing you the sensational smash hit musical Memphis. Directed by Kevin S. McAllister with Musical Direction by Cedric D. Lyles and Choreography by Torens Johnson, this stellar production is the music of your soul like you’ve never heard heart and soul and rock and roll and rhythm and blues before.

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