You canât control everything, Emma! But isnât it fun to watch her try!? Yes! Yes it is! And far more than funâ itâs practically a divertissement of the most jubilant nature; itâs a rather uproarious, madcap enjoyment! Emma, the Jane Austen classicâ as recently adapted by Kate Hamill for maximum rom-com tomfooleryâ is situating itself onto the Everyman Theatre main stage as the final production of the 2025/2026 season. Directed by Laura Kepley,
Oh what tangled webs we weave when we practice toâ get out from under the manipulative fist of the patriarchy who relies heavily on the normalization of harmful tactics like gaslighting. Not the single-word response you were expecting? Good. Because this isnât your grandmaâs Gaslight. Though itâs been adapted from that play (by Patrick Hamilton) by Johnna Wright and Patty Jamieson, this âgaslight of a thrillerââ Deceived is not your classic case of a woman being manipulated into questioning her own sanity,
A taste for the mystery of numbers is excessively rare,
especially among those more theatrically inclined. Creatives and cultivators of
art tend to shy away from âthe numbersâ but donât let that scare you away from
seeing Everyman Theatreâs 2019/2020 season openerâ Proof, by David
Auburn. Directed by Paige Hernandez, there is an evocative warmth that
dominates this play filled with bughouse logic.
DJ Corey Photg (L to R) Bruce Randolph Nelson as Robert,
When one is in town, one amuses oneself. And if one is in Baltimore, one can amuse oneself by getting tickets to see an uproarious and smart production of Oscar Wildeâs The Importance of Being Earnest now appearing at Everyman Theatre for the holidays. Directed by Joseph W. Ritsch, this high-brow, tongue-in-cheek, comedy chestnut is a delightful romp through town, country, and all sorts of shenanigans. A pleasingly pleasant alternative to all of the elves,