Articles Tagged With: The Colonial Players

City of Angels at Colonial Players: Nathanael Quay (center) as Stine with (l to r) Kasey Colligan as Oolie, Erica Miller as Alura, and Shelly Work as Bobbi 📷 Brandon Bentley

City of Angels at Colonial Players

People never see themselves as other people write them. And when you write them walking into a tangled web of film-noir meets golden-aged Hollywood with musical theatre camp and coziness all cuddled up together on the squarish stage of Colonial Players, well that’s one script you just have to see to believe. City of Angels— that rarely produced hybrid gem of show-inside-a-show like a nesting doll of page-to-screen-to-stage— is now playing as the penultimate production of the 77th season at Colonial Players of Annapolis.

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Other Desert Cities at Colonial Players

You need seasons to mark where you are. It’s currently winter season; halfway through the darkness— halfway through season 77 at The Colonial Players of Annapolis. And they’re bringing you Other Desert Cities by Jon Robin Baitz. Directed by Laura Gayvert, this edgy, albeit questionably dated, drama hits hard with its deep questions of family dysfunction when secrets threaten to unravel pre-existing ways of life.

While the play itself isn’t wholly ‘dated’ there are references that for the younger audiences will be obscure and it certainly bears the signature of its timestamp.

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A Christmas Carol at The Colonial Players of Annapolis: A Holiday Tradition

In the 10,000 or so productions of A Christmas Carol that I’ve seen over my ~15 years a reviewer, I have never seen one (and I’ve even seen the Richard Wade-Richard Gessner adaptation at Colonial Players a time or two before…) that had such a strikingly profound moment— a momentary minutia that hit with such heartfelt intent that I both gasped and wept in utter shock. But let’s back it up in true Dickensian style.

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Dracula A Comedy of Terrors at Colonial Players

Dracula A Comedy of Terrors at Colonial Players

I am all in a sea of wonders…I think strange things, which I dare not confess to my own soul…so instead I’ll confess to you— the folks of readerland— this Halloween spoof-spectacular is unhinged, off-the-hook, and absolutely the must-see, laugh-out-loud 95-minute thriller of the season. Forget about Bela Lugosi, Lon Chaney Jr., Christopher Lee, Adam Sandler, and whoever else you’ve seen don the cape on the silver screen through the years— they can’t hold a garlic-scented candle to Colonial Players and their present production of Dracula A Comedy of Terrors,

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Bump at Colonial Players of Annapolis

author: Lucille Blumberg

“Man plans, God laughs.” It’s a sentiment that lingers long after the final blackout of Colonial Players’ Bump, a heartfelt, sharply insightful, and quietly profound exploration of childbirth across centuries and circumstances. Bump isn’t just about pregnancy—it’s about the plans people make, the expectations they cling to, and the unpredictable, beautiful, chaotic truth of how life enters the world anyway. Audiences left the theater reminded of how universal and individual this experience is—and how stories,

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Working: A Musical at The Colonial Players of Annapolis

Everybody should have something to point to, something to be proud of, something that says “I was there. I did that. I accomplished that.” And at the end of March 2025, ten actors, four musicians, and a whole crew of theatre tech & production crew will be able to point at a poster, archived in a frame on a wall somewhere and say, “I did that. I was there. I accomplished that.

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Agnes of God at Colonial Players

In his hyper-modern world what we have is logic and what we seem to have lost is faith. We lack a primitive sense of wonder and demand explanations for everything; miracles are dead. It’s no small miracle, however, that community theatres pulled through nearly two years of dark stages, surviving this pandemic where theatre artists were shuttered out of their existence. And bringing modern relevance to what could easily be considered a ‘dated’ piece is a theatrical miracle all its own.

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(L to R) Carey Bibb as Charlotte Corday, Samantha McEwen Deininger as Marianne Angelle, Mary C. Rogers as Olympe de Gouges, and Ryan Gunning Harris as Marie Antoinette in The Revolutionists at Colonial Players.

The Revolutionists at The Colonial Players of Annapolis

Who are we without a story? Who are we without our power? Profound questions with moving answers, all of which will be explored in Lauren Gunderson’s The Revolutionists, now appearing live on-stage at The Colonial Players of Annapolis. Directed by Jennifer Cooper, this evocative dram-com (because it’s hardly a rom-com but it’s not exactly a dramedy and if Lauren Gunderson can invent words…) takes audiences back to Paris circa 1793 and delivers an outrageous series of interactions between four impossibly powerful women,

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The Merry Wives of Windsor at Colonial Players

The
Colonial Players of Annapolis have decided to mount a production of Shakespeare
for the first time in over 20 years and after seeing the production the one
question to ask is why have they waited so long? The Merry Wives of Windsor, running now through March 23rd
at the Colonial Players, is a fresh take on a classic Shakespearian Comedy and
a thrilling joy of a night of theatre!

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Sex With Strangers at Colonial Players

Give one sentence that totally encapsulates who you are. Impossible. What if you’re an egomaniac? That’s simple. You don’t care what people say about you as long as they say something. What if you’re a deeply insecure and rapidly approaching middle-age writer whose rejection track record has kept your current literary prospects from being approachable? That’s a bit more complex. It might be best if you don’t try to find that sentence and instead venture to Colonial Players to see their production of Sex With Strangers.

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