You either shave your legs or you don’t. Radical, albeit limited, that approach to feminism circa the 70’s. And we’d like to think we’ve come so very far from that myopic viewpoint and the circumstances that forced it into existence in the first place. We’d like to think. And there’s plenty to think about— drink in, really— when you catch the penultimate production of the Vagabond Players 110th season— Wendy Wasserstein’s The Heidi Chronicles.
Art and entertainment are not mutually exclusive; something can tickle your funny bone and give you great pause for appreciation. And vice versa. It’s what Ian Shaw & Joseph Nixon’s script The Shark is Broken sets out to prove. It’s now appearing— the area community premiere— at Vagabond Players, kicking off the back-half of the 110th season! Directed by Stephen Deininger, this fast-paced, truth-based theatrical engagement gives audiences a deeper look at what really happens when filming for a movie gets stalled in tight quarters.
author: Mike Zellhofer
“I’m doing it for you, man.” – Claude
In a world saturated with “me” it is refreshing to hear those words. After a brief off-Broadway run Hair opened in April 1968. The country was in turmoil, divided, at war, just as it is today. In 1968 they tried to divide us black and white. Now they try to divide us blue and red.
If you’re going to call something sh*t, you have to have some standards to judge it by! A direct-ish quote from Yasmina Reza’s Art but one that I can relate to all too well; if you’re going to call something— anything (more often in my vein of critiquing, ‘brilliant, masterpiece, etc.’)— you have to have some standards to judge it by. Appearing for the second time in a decade of stage performance,
There’s a screw loose in this theatre! (And damn skippy if it isn’t ever in the doorknob! IYKYK!) And holy heck and go-ta-war, if the Vagabond Players aren’t determined to find it with their current production of Room Service, directed by Steve Goldklang. Making its return to the Vagabonds’ stage (it appeared April and May of 2013 as a part of their 97th season!) with the same director but a brand new cast,
Every moment is a moment when you’re in the woods— again please.
It’s the Vagabond Players’ turn to try their hand at Sondheim’s most beastly bear…Into The Woods, under the co-direction of Audra M. Mullen and Kerry Simons, launches its five-weekend run as the first show of the company’s 109th season. With Musical Direction by Stephen M. Deininger, this challenging Sondheim musical has a few twists, turns, and pleasant surprises in store for audiences who are familiar with the work,
Innocence is only wisdom in a world without evil. But why is it we are so quick to believe that of which we are not certain? Why are we so quick to judge? The most innocent interaction can see seem sinister to a poisoned mind. Why do we let our minds be primed so readily with poison? In a striking and evocative drama now appearing on the Vagabond Players’ stage as the penultimate production of their 108th season,
One might think that a play with a title like How I Learned to Drive would depict a story that goes places; and by its own design, this is a play that goes many places and goes in circles (while in reverse) at the same time. But that being said, while funny and well told, Paula Vogel’s Pulitzer Prize winning play How I Learned to Drive is not for the faint of heart.