author: Chris Pence
When You Believe: The Prince of Egypt at Artistic Synergy of Baltimore
Anyone who has ever set foot in a church knows the story: a mother fearing for her firstborn’s safety sets the baby in a basket to flow down the Nile toward Egypt, and towards his fate. The baby grows into the most influential prophet of Judaism, as well as one of the most important in Christianity,
author: Bill Kamberger
Stephen Sondheim called this show “a musical thriller,” and he was dead right. The plot, which depicts an understandable attempt at revenge that spirals into indiscriminate serial killing, provides many thrills and even more chills, but the music is the most thrilling of all. It frequently gives a listener chills in the most beautiful sense, even when it is sending a shiver up the spine as well. Several famous concert presentations of the score have proven that it can thrill even with minimal staging,
author: Leonard Taube
Anyone ever get so angry with you that they’ve told you to “Go to the devil!”? Well, now you can (so-to-speak) and enjoy the trip as well! Cockpit in Court Summer Theatre (in residence at CCBC Essex) is currently putting on the 1955 musical comedy Damn Yankees. With a book by George Abbott and Douglass Wallop, and music and lyrics by Richard Adler and Jerry Ross, Damn Yankees is set during the 1950’s during a time when the New York Yankees dominated major league baseball.
author: Chris Pence
Happy Mother’s Day 2025! If you need a gift for mom, or a reminder of all that mothers provide for us, Artistic Synergy of Baltimore’s Motherhood Out Loud is all you need! Conceived by Susan R. Rose and Joan Stein, Motherhood Out Loud is an all-encompassing view of motherhood, seen through a series of short scenes and monologues. Through honest, direct delivery, the show follows the mothering process from birth through schooling,
Sets. Costumes. Lights. Magic. They’ve actually got all of those things. Which is pretty dang impressive all things considered. Artistic Synergy of Baltimore is razzle-dazzling with their current production of Pippin, directed by Broadus Nesbitt with Musical Direction by Charlotte Evans and Choreography by Samantha Reynolds. Lending itself to the cobbled-together nature that church-basement-community theatre is often expected to present, this production of Pippin sets the bar high with its full and resonant ensemble,