author: Chris Pence
Do Not Be Stingy With The Blintzes: You Can’t Take It With You at Spotlighters Theatre
Now, stop me if you’ve heard this one: What do you get when you cross a tax-evading retiree, a wannabe playwright, a fireworks-obsessed husband and his best friend, a dancer, a xylophonist, a jealous housekeeper, a drunken actor, two Russians, a Scot, a Wall Street bigwig and his wife, some star-crossed lovers,
author: Rick Bergmann
By the Way, Meet Vera Stark Balances Screwball Comedy and Sharp Cultural Reckoning
By the Way, Meet Vera Stark by Lynn Nottage, now showing at Laurel Mill Playhouse, sets out to do a lot—and nearly pulls it off. First produced in 2011, the play examines the legacy of African Americans in Hollywood, skewering racial stereotypes while reveling in the conventions of classic cinema and theater.
author: Chris Pence
Thou That Humble Themselves: Godspell at Stand Up For…Theatre
Prepare Ye The Way! Stand Up For…Theatre presents a fresh, upbeat take on the Gospel of Matthew with Godspell, a Broadway classic for the ages. Director Ed Higgins & Producer Grant Myers bring the story of Jesus to a new generation of theatregoers with a production that will have even the most doubting of Thomases dancing,
Come with me and you’ll be in a world of Pure Imagination! It’s almost like Stand Up For…Theatre had to imagine themselves into existence just for this show to happen! (#IYKYK) But they did it! And their candy was dandy! Meet The Candy Man, the final in the Wonkavision Golden Ticket Interview series! Oh what fun!
Thank you for giving us a moment of your time, why don’t you tell us who you are?
author: Jake Schwartz
In theatre, there is a saying – “the show must go on.” And for Charlie & The Chocolate Factory at Stand Up For… Theatre, that became their reality. Nearly losing it all before the curtain even rose, the Fire Marshalls shut down the production from happening. Facing a challenge that would’ve melted even Willy Wonka’s resolve, Stand Up For… Theatre didn’t back down; and they are here for one weekend only!
You pop that gum one more time— wait…that’s a different musical. Sorry- too much sugar for a second there. Wonkavision is right on time with another in-depth look at a parent-kid duo— this time it’s The Beauregarde Family!
Thank you for giving us a few of your rehearsal minutes, let’s get the ball rolling with who you are and who you’re playing, shall we?
Gage Wright: My name is Gage Wright and I play Eugene Beauregarde.
author: Chris Pence
A Rose By Any Other Name: Romeo & Juliette at Laurel Mill Playhouse
“Two households, both alike in dignity, In fair Verona, where we lay our scene.”1 It’s the classic tale of love and loss, hate and betrayal, ancient grudges to new mutiny, “[w]here civil blood makes civil hands unclean. From forth the fatal loins of these two foes, a pair of star-cross’d lovers take their life.”1 Jacqueline Youm breathes new life into the tale as old as time itself with Romeo &
Do any live people ever realize life every minute while they live it? Saints and poets…and theatergoers… maybe… It’s time to take a step back, take a breath, and come celebrate the simplistic joys in life. The sunrising… the birds in the trees…the seasons changing… a new theatre company opening its doors for the very first time… Okay, that last one isn’t quite so simple, but Angelo Otterbein (owner and operator and art enthusiast of Manor Mill) and Vanessa Eskridge (director and producer of Manor Mill Playhouse’s inaugural production of Thornton Wilder’s Our Town) make it look simple,
Right and wrong don’t matter in the woods… only feelings. And the feeling is that Woodbrook Players has some talented vocalists appearing in their current production of Stephen Sondheim’s Into The Woods. Directed by Ron Oaks with Musical Direction by Bryan Alston, this iconic fairytale-gone-wrong musical brings all of your favorite storybook characters together to unravel their stories amid the darkness of the woods. Sondheim is a bear at the best of times (not featured in this particular woodsy setting,
Everyone wants publicity, daaahlings. Even the bad kind is the good kind, because any kind beats no kind, right? Lucky for Thomas “Toby” Hessenauer and the company of Ken Ludwig’s The Game’s Afoot it’s the good kind. Mostly. I’m no Daria Chase, daaahlings, but for God’s sake, I am a theatre critic. Launching the ‘upstairs’ half of the upstairs-downstairs-summertime-palooza that we all know to be Cockpit in Court, this zany little Baskerville-wannabe is two parts mystery,
Do you remember the good years in Glyndon? The summers were endlessly gold! The gymnasium was a patchwork of set pieces and costumes; there were songs being sung wherever you’d go. It’s funny, but since the Pandemic, they’d gone to the other extreme— for two years they were dark and sad! And how we missed them oh so bad— but now they’re back! (YES!!) And telling— Joseph’s Dream! Those Glyndon days! Are here to stay!