If the human eye was a digital camera it would have 576 mega pixels. 30% of businesses in the U.S.A. are owned by women. McDonald’s opens a new restaurant every 14.5 hours. Swedish wasn’t made the official language of Sweden until 2009. Approximately 300 couples get married in Las Vegas, Nevada every day. Forum Theatre is producing the area premier of Caryl Churchill’s Love and Information. Is it better to know things or not know things?
Jesus Christ Superstar, do you think you’re what they say you are? Now appearing for a limited engagement at Signature Theatre, the Andrew Lloyd Webber that defined rock musicals is now being presented as sleek and modernized. But before you cast your first stone of judgement, take a step back and look at what you’re witnessing. Directed by Joe Calarco with Musical Direction by William Yanesh and Choreography by Karma Camp,
Change come fast and change come slow, but change come. And a change— Caroline, Or Change to be exact— is coming to Round House Theatre this season. Nothing happens below ground in Bethesda because all the fiery action of this sensational musical with Book & Lyrics by Tony Kushner and Music by Jeanine Tesori is happening on ground floor stage for everyone to see! Directed by Matthew Gardiner with Musical Direction by Jon Kalbfleisch,
In every age mankind attempts to fabricate great works at once magnificent and impossible. And impossibly magnificent is the success of the maiden voyage of Signature Theatre’s production of Titanic. With Story & Book by Peter Stone and Music & Lyrics by Maury Yeston, this spellbinding production is a floating city of magnificence in the ephemeral way that only theatre can be. Directed by Eric Schaeffer with Musical Direction by James Moore,
What a bitch of a time. The play is shit. You’ve Alfred Jarry to thank for that. The production is unique. You’ve Pointless Theatre Company to thank for that. In a new adaptation, translated by none other than the infamous Google-Translate (that bugger’s been mucking things up for years!), from the original Ubu Roi, comes a fitting-for-the-times disastrous calamity that they’re calling King Ubu, they being Pointless Theatre Company.
Take a deep breath, open your eyes, you have arrived at La Cage Aux Folles. Signature Theatre does its utmost to deliver this ravishing, sensual, fabulous musical Directed by Matthew Gardiner with Musical Direction by Darius Smith, and succeeds making it the show of their season, which is saying something considering just how many smashing productions they’ve managed this year. Legend has told and rumor has promised this zesty, thrilling performance would dazzle theatergoers of Washington DC and there are simply not enough words to properly praise the nearly perfect production as it titillates audiences right to the edges of their chairs!
Ho! Ho! Holiday-mamma-freaking-ho! The Pointless Theatre is bringing their annual tradition, A Very Pointless Holiday Spectacular to the stage for 2015 and they’re going to sack it to you, Santa babies! It’s the North Pole’s 239th annual talent show and Mrs. Claus and the elves are ready to get down, boogie, and go to town on the one night a year that they get off— and holy holiday moly do they get off!
Move over, Maleficent! A new breed of sinister sins and exquisite evil is sweeping into Shirlington as the world premiere musical Girlstar settles into Signature Theatre this fall. A modern day fairytale with spunk and verve takes root in the Max Theatre of Signature’s two-stage performing arts complex and is ready to entice the world into a new-wave experience when it comes to fairytale enchantment and modern magical realism. With Book and Lyrics by Anton Dudley and Music by Brian Feinstein,
Ay! Ay! Ay! She’s the lady with the tutti-frutti hat on her head! Singing sensation, Brazilian beauty, Carmen Miranda has her whole story explained in Pointless Theatre’s world premiere production of Gimme a Band, Gimme a Banana! The Carmen Miranda Story. Directed by Roberta Alves and Matt Reckeweg, this show appears as part of the Women’s Voices Theater Festival and is an intriguing examination of a popularized figure told through interpretive movement and song.
Ladies and Gentlemen! Step Right up! Witness the marvelous morose, the wondrous strange, the nightmares that inspire ephemeral fantasticality! Pointless Theatre presents an honest theatrical masterpiece with their production of Doctor Caligari, a devised theatrical ensemble extravaganza that entrances the mind, stimulates the senses, and shakes the core of reality in a surreal and fascinating fashion. Directed by Matt Reckeweg, this homage to the 1920 German Expressionist film The Cabinet of Dr.
Labels are for soup cans! Join the party— The T Party— at Forum Theatre this January for their exciting remount of the world premier of their gender-driven conversation starter The T Party. Having absolutely nothing to do with the political party— as the show was being conceptualized and work-shopped before the party was formed— this provocative, evocative conversational piece of theatrical work is a compelling and connective cabaret of gender-binary defying stories,