And I’m telling you— you ARE going to Toby’s Dinner Theatre this autumn to see Dreamgirls. It’s more than just a dream— it’s a fantasy come true with sparkle, energy, enthusiasm, and raw talent that will blow you away. Dreamgirls, appearing live on the Toby’s stage as the fall musical of the 2017 season, is filled with the heart and soul of the 60’s and 70’s,
Purchase your tickets, la la la! Queue up at the entrance, la la la! Unfold your program, la la la! Hi-ho the glamorous life! It’s so much more than a weekend in the country if you’re venturing to Signature Theatre’s production of Stephen Sondheim’s A Little Night Music. Opening the 2017/2018 with this simplistically elegant classic, Director Eric Schaeffer sets the 28th season in motion with a glorious performance of smiling nighttimes and sensual characters entangling themselves around and through one another all whilst dripped and draped in one of Sondheim’s convoluted albeit romantic,
In every age mankind attempts to fabricate great works at once magnificent and impossible. And impossibly magnificent is the success of the maiden voyage of Signature Theatre’s production of Titanic. With Story & Book by Peter Stone and Music & Lyrics by Maury Yeston, this spellbinding production is a floating city of magnificence in the ephemeral way that only theatre can be. Directed by Eric Schaeffer with Musical Direction by James Moore,
The fireside is blazing bright, and they’re caroling through the night! This Christmas will be a very special Christmas— just so long as you head over to ArtsCentric, now residing at The Motor House in Baltimore’s Station North Arts District, and celebrate the holiday season with their production of Sincerely, Holidays. The third in the Sincerely series, Conceived and Directed by Kevin S. McAllister, this beautiful musical revue celebrates African-American holiday musical traditions and is so full of joy that you’ll be bursting at the seams with the holiday spirit before the evening is over.
Your dream is about to come true if you open your eyes to what’s in front of you! And that’s the ArtsCentric production of Dreamgirls now playing at The Motor House in Baltimore’s very own Station North Arts District. Live for one night only— well, one night each Friday, Saturday, and Sunday evening over the course of eight weekends— they will indeed be your Dreamgirls as only the fine talents of ArtsCentric can be!
All shall know the wonder of purple summer who are lucky enough to have attended the ArtsCentric Summer Institute’s production of Spring Awakening. Presented as a final showcasing of the Summer Institute’s hard-working students under the Direction of Artistic Director Kevin McAllister and Musical Director Cedric D. Lyles, this stellar production of young performers brings their radiant vocal talents to light in a show that rings true for adolescents of today despite being set in a time long ago.
“The theatre community here <Washington DC> is something other cities can only dream of.” An earnest and rewarding quote pulled directly from the lips of David Ives, this year’s recipient of “Outstanding Original Play or Musical Adaptation” at the 32nd Annual Helen Hayes Awards Ceremony. Just one of 236 nominees being celebrated over the course of the evening, Ives’ statement captured the tone of the evening early on with the aforementioned quote given during his award acceptance speech.
Giving the nation a new syncopation, Toby’s the Dinner Theatre of Columbia proudly presents a masterful production of the treasured Ahrens and Flaherty musical Ragtime. Rolling on the wheels of a dream, the production is Directed by house Artistic Director Toby Orenstein and Co-Artistic Director Lawrence B. Munsey. With Musical Direction by Ross Scott Rawlings, this evocative, soul-searing musical brings forth a hunger for justice and presents to theatergoers all across the Columbia and greater Baltimore and Washington Metropolitan areas a sensationally talented cast with earnest heart and emotional depth.
We cannot escape history; the good, the bad, the beautiful, the ugly. 150 years ago on April 14, 1865 one of the greatest forefathers of our country was assassinated inside of Ford’s Theatre while attending a production of Our American Cousin. Commemorating this national event that helped shaped the nation as we know it today, Ford’s Theatre has commissioned a brand new musical Written by Frank Wildhorn,
You can’t eat away the blues. You can’t wish away the blues, heck most of us can’t even sing away the blues. But Arena Stage, in a co-production with Cleveland Play House is going to blow away the blues with their production of Clarke Peter’s Five Guys Named Moe. Directed by Robert O’Hara with Musical Direction by Darryl G. Ivey, this bouncy musical zinger features the greatest hits of Louis Jordan.
This is all the music that your grandma ever prayed to. This is all the music that your mama ever cooked to. This is all the music that your aunt ever sang karaoke to. And this is all the music that your little sister ever twerked to. This music is the music that made music what it is today. The stories of African-American female artists who paved the way, set the tone, and made pop,
Let your freak flag wave! Let your freak flag fly! Never take it down, never take it down and raise it way up high! For everyone at the Toby’s Dinner Theatre production of Shrek the musical to come and see! That’s right, folks! We’re hitting the swamp and the city of Duloc to uncover the truth behind these fairytale creatures! In a brand new interview series entitled ‘Story of My Life: The Freak Flag Chronicles’ we’ll venture into the story of six of Shrek’s characters and find out what life is all about in the land of unusual fairytales!
Once upon a time there was a little place called Toby’s Dinner Theatre that was nestled in the wooded highlands of Columbia, Maryland. And during their 35th year they decided to mount a little musical called Shrek. It was a pretty impressive musical, with Music by Jeanine Tesori and Book and Lyrics by David Lindsay Abaire. Fairytales, well you’ve never heard or seen one quite like this, but there’s a freak flag to wave for everyone at this up-tempo,