Articles Tagged With: Chuck Bowden

Mamma Mia at Scottfield Theatre Company

Scottfield Theater Company has a dream, a song to sing… and sing it they do! Running October 5-7 and 12-14 in the Cultural Center of Havre de Grace, this production of Mamma Mia is stuffed to the brim with infectious energy, uproarious laughter, and an impressive performance of pop monolith ABBA’s timeless catalog.

Mamma Mia tells the story of Sophie and Donna, a daughter and her single mother in their journey to discover who Sophie’s father was and face the memories Donna has of her three old flames and potential father for her daughter.

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Tuck Everlasting at Scottfield Theatre Company

Today is the day you’ve been waiting for forever. Are you ready to let this be the day that something happens? Then hello, Havre de Grace, Maryland! This year— 2017— this day— in the month of October— is going to be the day where everything you’ve ever waited for finally happens! Making its national community theatre debut, Tuck Everlasting, the musical, soars superbly into the main stage of The Historic Havre de Grace Opera House as the inaugural production of Scottfield Theatre Company.

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Life’s Got To Be Lived: An Interview with Becky Titelman about Scottfield Theatre Company

Just when things look bleakest— there is ever hope on the horizon! With a world that’s politically upside down, the brightest act of optimism is through the birth of new creative endeavors and what a wonderful new adventure to embark upon in this era than starting a new community theatre boldly daring to do new works, obscure works, and regional premieres of work fresh off Broadway! Harford County is pleased and proud to welcome the Scottfield Theatre Company to the area.

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Review: Mary Poppins at LIVE! @ Harford Community College

Time to grab your spoon full of sugar and head over to The Phoenix Festival Theater’s latest undertaking, Mary Poppins the Musical. Disney’s magical nanny is at it again and ready to provide a jolly holiday for believers of all ages! Directed and Choreographed by Kim Brueggemann, this production, while exhibiting some welcome bursts of charming energy (mainly during dance routines) overall feels under-speed. I attribute most of the clunkiness to the book of this musical (one I’ve seen now about three or four times),

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