Articles Tagged With: Donald Holder

Lila Coogan (center) as Anya in the National Tour of Anastasia

Anastasia at The Kennedy Center

Have you heard? There’s a rumor that St. Petersburg— is coming straight to Washington D.C.! No longer far away or long ago, glowing brighter than an ember, it’s here to see, a breathtaking show, one you will always remember… Anastasia— a wintery wondrous fairytale arriving in time for the Thanksgiving season now on the Eisenhower stage of The John F. Kennedy Center for the Performing Arts. Commissioned by Dmitry Bogachev,

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The King & I at The Kennedy Center

A theatrically inclined, over the top leader is called upon the carpet by a strong, oppositional feminist for policies that are alternately deemed sexist, racist, tyrannical, oppressive, and a throwback to less enlightened times as their country struggles to enter a new era of ideology under the watchful eyes of the rest of the free world. No, this is not this week’s headline at The Huffington Post, but the underlying dilemma at The Kennedy Center in Washington,

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Review: The Bridges of Madison County at The Kennedy Center

Striking and inspiring beauty isn’t just in the covered-bridge landscape of Winterset, Iowa. It’s possessed wholeheartedly in the stellar music of Jason Robert Brown’s The Bridges of Madison County musical, now appearing live on stage in the Eisenhower Theatre of The John F. Kennedy Center for Performing Arts. Based on the novel by Robert James Waller with Book by Marsha Norman, Brown’s stunning score of the heart-melting and utterly emotionally mesmerizing love story is populated with bittersweet poignancy and the closest thing to true American Opera the stage has heard since the 80’s.

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Review: Salome at Shakespeare Theatre Company

Salomé…seductress? Salomé…femme fatale? Salomé…revolutionary heroine? South African Playwright and director Yaël Farber posits how a nameless young woman mentioned briefly in the Bible as the catalyst for the death of John the Baptist became the femme fatale of Oscar Wilde’s version of the story. By examining the biblical narrative in the context of the conquest of Judea by the Romans, Farber presents a provocative reimagining of this woman’s place in history. The result is a fascinating if flawed look at the oppression of feminine narratives in history and literature.

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