A theatrically inclined, over the top leader is called upon the carpet by a strong, oppositional feminist for policies that are alternately deemed sexist, racist, tyrannical, oppressive, and a throwback to less enlightened times as their country struggles to enter a new era of ideology under the watchful eyes of the rest of the free world. No, this is not this week’s headline at The Huffington Post, but the underlying dilemma at The Kennedy Center in Washington,
Striking and inspiring beauty isn’t just in the covered-bridge landscape of Winterset, Iowa. It’s possessed wholeheartedly in the stellar music of Jason Robert Brown’s The Bridges of Madison County musical, now appearing live on stage in the Eisenhower Theatre of The John F. Kennedy Center for Performing Arts. Based on the novel by Robert James Waller with Book by Marsha Norman, Brown’s stunning score of the heart-melting and utterly emotionally mesmerizing love story is populated with bittersweet poignancy and the closest thing to true American Opera the stage has heard since the 80’s.