It is all too easy to make excuses for the violence of the oppressed. Humanity’s knee-jerk response to people who commit heinous atrocities is to paint them as monsters. But aren’t they just human beings beneath it all? In a powerfully gripping and evocative theatrical exploration, playwright Nicholas Wright presents a deeply harrowing psychological and emotional excavation into post-Apartheid South Africa with his work A Human Being Died That Night. Based on the book by Pumla Gobodo-Madikizela and Directed by Logan Vaughn,
Let them eat— s’mores? Following along through Season 35 at Woolly Mammoth Theatre Company, their world premier of Lisa D’Amour’s work Cherokee settles nicely into the “let them eat” theme of the season. In a TheatreBloom exclusive interview we’re talking with Woolly Company Member and Director John Vreeke about his involvement with the project and why it interested him.
Thank you, John, for taking time to phone in with us for this interview.
We sometimes think we visit our souls when we enter a museum, take a stroll on a beach, or walk through a forest. We search for a key to connecting with our roots or with reality when we take that drive-by study of unfamiliar culture or lifestyle. Woolly Mammoth Theatre Company‘s new world premiere work, Cherokee by Obie Award-Winning playwright Lisa D’Amour, directed by John Vreeke, seeks to expose the subtext beneath those superficial whims that drive us to seek that connection.