Everything burns, but not every fire is determined by fate. And Washington DC is certainly on fire in various meanings of the word. Politically, socially, and now thanks to Woolly Mammoth Theatre Company, theatrically as well! This is one fire that fate will not put out! The kickoff to Woolly Mammoth’s Incendiary 2017/2018 season— The Arsonists, by Max Frisch and newly translated by Alistair Beaton, is setting the stage and minds of audience members alike ablaze with a conflagration that just won’t quit.
The weather has been bad since the beginning of time; it was horrible at the beginning of time. But the weather can get a whole lot worse when a wicked storm tears the lives of a Christian faith-based family asunder without warning. Baby Screams Miracle, a new work by Clara Barron, arrives to the Woolly Mammoth Theatre Company stage under the Direction of Artistic Director Howard Shalwitz and it crashes upon the boards much like the storm inside the play crashes into the five members of the family contained within its pages.
A storm is a great metaphor for all the chaos and turmoil in our lives. But what happens with the storm is not only a metaphor but a literal storm breaking down the door? Woolly Mammoth Theatre Company is now presenting Obie Award-Winning Clare Barron’s Baby Screams Miracle on the 2017 side of its current season. In a TheatreBloom exclusive sit-down interview, we’re speaking with yet another married couple housed within the company to explore the working dynamic of this mighty storm in this powerful work.
Love. Deception. Soap Opera. Kiss. An evocative new work is pushing the conversational envelope at Woolly Mammoth Theatre Company in the 2016/2017 season. Revolving around the melodramatic relationships of four individual characters inside a soap opera, but going so much deeper than that simple premise, Kiss is a story like no other. In a TheatreBloom exclusive interview, we sit down with Woolly Company members Gabriela-Fernandez Coffey and Tim Getman,
Boop-boop-be-BLAM! Woolly Mammoth Theatre Company is opening their 2016/2017 season with an honest-to-God firecracker of a play. Delivering the world premiere of Jen Silverman’s Collective Rage: A Play in Five Boops, Woolly sets the bar high for the rest of the conversationally loaded season with this thunderclap of a theatrical experience. In a TheatreBloom exclusive interview we sit down with Beth Hylton, playing Betty Boop 1, and pick her brain on the whole “Boop Experience.”
Let them eat— s’mores? Following along through Season 35 at Woolly Mammoth Theatre Company, their world premier of Lisa D’Amour’s work Cherokee settles nicely into the “let them eat” theme of the season. In a TheatreBloom exclusive interview we’re talking with Woolly Company Member and Director John Vreeke about his involvement with the project and why it interested him.
Thank you, John, for taking time to phone in with us for this interview.
This review will begin when you say “Start the fucking review!”
Presuming you’ve said that— or at the very least read that— then you’re in the right mind frame to enjoy the Woolly Mammoth Theatre Company’s remount of Aaron Posner’s original work Stupid Fucking Bird. Inspired by and loosely adapted from Chekhov’s The Seagull, the production’s initial popularity has called for a resurgence in its existence.