Articles Tagged With: Ann Hould-Ward

Carla R. Stewart (left) as Shug Avery and Adrianna hicks (right) as Celie in The National Tour of The Color Purple

The Color Purple at The Kennedy Center

Hey, sister, whatcha gon’ do? Goin’ down by the Potomac River, gonna see The Color Purple with you. In a striking reimagination of the iconic novel turned film turned stage musical, The John F. Kennedy Center for the Performing Arts proudly presents The Color Purple, a Menier Chocolate Factory Production. Directed and Conceptualized by John Doyle, with Musical Direction and Pit Conduction by Darryl Archibald, this stunning story is reinvented with simplicity at its aesthetic core,

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Review: The Secret Garden at Shakespeare Theatre Company

When a thing is wick it has life about it— just come to the garden and you’ll see— The Secret Garden now appearing in Shakespeare Theatre Company’s Sidney Harman Hall. Blooming with beauty and bursting with vibrant life, this newly envisioned production of Marsha Norman’s book & lyrics and Lucy Simon’s music based on Frances Hodgson Burnett’s novel, is a sensational and mesmerizing musical experience. Directed by David Armstrong with Musical Direction by Rick Fox,

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Review: Beauty & The Beast at The Hippodrome

Tale as old as time, tune as old as song! The timeless Disney classic Beauty & The Beast returns to Baltimore’s Hippodrome Theatre this spring as a part of the CareFirst Hippodrome Broadway Series. Presented by NETworks Presentations LLC, the classic fairytale musical brings all of your favorite characters home to Charm City for a fantastical night out at the theatre. Directed by Rob Roth, this Disney delight is geared for younger audiences and of course those young at heart,

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Review: Man of La Mancha at Shakespeare Theatre Company

There aren’t enough superlatives in the English language to describe the Shakespeare Theatre Company’s spectacular production of Man of La Mancha, which opened on Monday to a packed house at Sidney Harman Hall.There is simply no need to travel all the way to Manhattan to take in Broadway-caliber theatre. It’s right here, with all the fire, passion, and intensity of any show on the Great White Way.

We bear witness to the opening as the prisoners in Allen Moyer’s steel cage of a set mill about,

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