Articles Tagged With: Kaydin Hamby

Doll Parts… at The Voxel

Reviews July 22, 2026 Amanda N. Gunther Leave a comment

“Change doesn’t come whispered in your ear; it comes as a hurricane.” There was more to that strikingly profound quote but at the risk of butchering Nikki Ann Hartman’s beautiful phraseology, I’ll leave it there. It was one of several, one of many, one of more than a handful that really stuck with me while experiencing Doll Parts… a one{trans}-woman show at The Voxel in Baltimore City last night. A friend of mine likes to tease me about how I struggle with the difference between a couple,

The Crucible at Maryland Ensemble Theatre

Reviews April 6, 2026 Amanda N. Gunther

We are here to discover what no one has ever seen.

And The Maryland Ensemble Theatre’s penultimate mainstage production of 2025/2026— Arthur Miller’s The Crucible— is unlike any Crucible you’ve ever seen before. It’s a disquietingly innovative hot-take on the production that universally presents it as an everyman tale, wholly investing the ensemble in the story’s narrative burden whilst simultaneously reflecting the harsh reality of the present-day world in which we live— but subtly,

Shakespeare In Harlem at Chesapeake Shakespeare Company 📷 Kiirstn Pagan Photography

Shakespeare In Harlem at Chesapeake Shakespeare Company & UMBC Theatre

Reviews January 17, 2026 Amanda N. Gunther

There is a big blue emptiness in a dream deferred. And Chesapeake Shakespeare Company is filling it up with a first of its kind collaborative production between themselves and UMBC Theatre. Langston Hughe’s Shakespeare In Harlem, adapted for the stage and directed by Gerrad Alex Taylor, is appearing for a one-weekend only performance at CSC’s downtown stage after a successful run at UMBC Theatre in the fall of 2025. Evocative poetry in theatrical motion,

The Thanksgiving Play at Maryland Ensemble Theatre

Reviews November 8, 2025 Amanda N. Gunther

“Facts are facts. They don’t loosen or tighten. They just are.” ~The Thanksgiving Play; Larissa FastHorse.

Opinions, however, can be loose, tight, and all over the place. Popular or unpopular, we all have them, and we all share them. And that’s an important notion to keep percolating just at the back of the brain as you settle in for this 90-minute, no-intermission, genre-questionable work that is Larissa FastHorse’s The Thanksgiving Play at the Maryland Ensemble Theatre as the second offering of their 2025/2026 main stage season.

Will Pullen as Morris in Morris Micklewhite and the Tangerine Dress at MET Fun Company 📸 Spence Photographics

Morris Micklewhite and the Tangerine Dress at MET’s Fun Company

Reviews September 29, 2025 Amanda N. Gunther

“I am loved. And I am strong. If I can dream it then I can do it.”

There are few more important words that children (and children at heart) need to hear right now in this topsy-turvy, upside-down world that no longer makes a lot of sense. And you can hear them, feel them reinforced, and live them as the MET Fun Company kicks of their 2025/2026 season with Morris Micklewhite and the Tangerine Dress by Juliany Taveras (based on the book by Christine Baldacchino &

Jane Anger at Maryland Ensemble Theatre

Reviews April 8, 2025 Amanda N. Gunther

Hell hath no fury like a woman scorned. Shakespeare, ammiright? WRONG. Like so many of those popular “of the times” lines attributed to the plagiarizing bastard, this one also doesn’t belong to Billy Shakes. (It’s actually a deeply distorted misquote from William Congreve’s The Mourning Bride, 1697 but that’s a tale for another time.) But the sentiment is definitely there. Famous. Timeless. Universal appeal. All percolating up and out of the Jacobean Era of England from that historically renowned master of page and pen,

Sense & Sensibility at Maryland Ensemble Theatre ???? Spence Photographics

Sense & Sensibility at The Maryland Ensemble Theatre

Reviews September 24, 2024 Amanda N. Gunther

Tis your ambition to be happy? Then come to Maryland Ensemble Theatre as they open up their 2024/2025 main stage season with Kate Hamill’s sprightly adaptation of Jane Austen’s Sense & Sensibility. Indeed, the season of MET’s happiness kicks off swimmingly with this exuberantly energetic movement-based comedy, Directed by Gené Fouché, this most agreeable and enjoyable afternoon of quirky comedy meets winsome romance is a delightfully balanced romp of pathos and silliness,

Angels In America Part II- Perestroika at Maryland Ensemble Theatre

Reviews October 6, 2023 Jimi Kinstle

In a follow up to last year’s presentation of Angels in America, Part 1, the Maryland Ensemble Theatre has endeavored to complete the series with Angels in America, Part 2, Perestroika. The production of these two pieces is a monumental undertaking creating almost a seven-hour total theater experience.

It’s hard not to write a comparative review. The cast and design team remain relatively the same.

Angels In America Part 1: Millennium Approaches at The Maryland Ensemble Theatre

Reviews February 13, 2023 Jimi Kinstle

Tony Kushner’s Pulitzer Prize-winning play Angels in America, was ambitious in 1993, taking on difficult subject matter, and the Maryland Ensemble Theatre is ambitious to take on such a challenging production. ‘Set in the mid-1980s amid the AIDS crisis and the Regan administration, the characters struggle with life and death, love and sex, heaven and hell’*. Originally intended for a season three years ago but sidelined by COVID, Angels now marks the MET’s 150th production overall and falls during its 25th anniversary,

Twelfth Night at Chesapeake Shakespeare Company

Reviews October 4, 2022 Amanda N. Gunther

What great ones do the less will prattle of— and here be the great ones: Chesapeake Shakespeare Company, in their 20th Anniversary season, presenting to you something certainly worth prattling about! Twelfth Night, directed by the company’s founding Artistic Director, Ian Gallanar, is arguably one of The Bard’s more sensible comedies and CSC does it a great justice with excellent performances, lively music, and a charming aesthetic that would float anyone’s boat.

Lisa Burl (left) as Olympe de Gouge and Rachel Manu (right) as Marianne Angelle in The Revolutionists. Photo: Madeline Reinhold,

The Revolutionists at The Maryland Ensemble Theatre

Reviews September 29, 2021 Amanda N. Gunther

Air and ink and make-believe. Isn’t that all theatre is when it comes down to it? But theatre isn’t flourish; it’s fundamental! Or so says the text of Lauren Gunderson’s The Revolutionists now on the main stage of the Maryland Ensemble Theatre. Directed by Gené Fouché, this meta-play within a meta-play of a play is a fundamental exploration of liberté, egalité, and sororité! Deep layers of freedom, equality, and sisterhood enveloped in the flavor of The French Revolution is what’s coming to the stage and it gets a little confusing,