author: Charles Boyington & Steven Kirkpatrick
A tale as old as time… almost. Disney’s Beauty and the Beast has enchanted audiences for over 35 years, from the 1991 animated film to Broadway, international productions, and now a new 2026 National Tour directed and choreographed by Matt West. Playing at the National Theatre, this production successfully recaptures the magic that longtime fans remember while delighting new generations.
In case you are unfamiliar with the story: A wealthy young man is cursed after refusing shelter to an elderly beggar, who is revealed to be an enchantress. The curse transforms him into a beast and condemns his household staff to become objects within his castle. In a nearby village, a beautiful young woman with a love of books yearns for a life beyond her provincial surroundings. When her father becomes lost in the woods and is imprisoned by the Beast, she offers herself in his place. As time runs out and the final rose petal approaches, the question remains: can they discover true love before it is too late?
The score by Alan Menken, with lyrics by Howard Ashman and Tim Rice and a book by Linda Woolverton, holds up remarkably well. Though it is nearly three hours with intermission, the show moves briskly thanks to smart cuts and redesigned sets and costumes. Beloved songs like “Belle,” “Gaston,” “Be Our Guest,” and “Beauty and the Beast” are all present, supported by a lively 10‑piece orchestra. The cast is strong across the board, with impressive singing, acting, and energetic ensemble work—especially notable given the demanding choreography and rapid costume changes.
Stanley A. Meyer’s scenic design and Natasha Katz’s lighting make excellent use of the National Theatre’s confined space, creating a gothic storybook atmosphere with baroque touches. Projections and LED screens are used sparingly and effectively, enhancing rather than overpowering the theatrical experience. Just when you think the castle setting might be too dark, here comes the dazzling “Be Our Guest” sequence and the cleverly staged wolf chases.
Costume designer Ann Hould‑Ward successfully recreates the iconic animated characters—candlesticks, teapots, clocks, and more—while keeping them functional for the stage. The famous yellow gown remains a true showstopper, conveying both elegance and magic.
Kyra Belle Johnson brings a mature, thoughtful presence to Belle, pairing a lovely singing voice with graceful movement and a strong sense of responsibility that clarifies the character’s choices. Fergie L. Phillippe tackles the demanding role of the Beast with skill, balancing menace, vulnerability, and romance; while strong overall, he shines most in his comedic moments. Stephen Mark Lucas also earns applause as Gaston, giving an energetic and confident performance as Belle’s arrogant rival. The servants are uniformly effective, with Danny Gardner as Lumiere, Javier Ignacio as Cogsworth, and Kathy Voytko as Mrs. Potts. (At this performance) Melaina Rairamo is a standout Babette, delivering infectious energy and commitment.
Overall, this national tour honors the legacy of Beauty and the Beast while proving that its magic still endures. A rewarding theatrical experience for all ages- bring the whole family. This show serves well as a nostalgic evening for those who remember the original movie or a first-time spectacle for the uninitiated.
Running Time: Approximately 2 hours and 45 minutes with one intermission
Beauty & The Beast plays through April 5th 2026 Broadway at The National— 1321 Pennsylvania Ave NW, Washington, DC 20004. For tickets call the box office at (202) 628-6161 or purchase them online.
