It’s suppertime! And the Liberty Showcase Theatre is serving up a scrumptious dish of musical theatre this summer with their production of the original You’re a Good Man, Charlie Brown. Directed by David Morey with Musical Direction by Peter Morey, the classic Peanuts gang is looking real sharp and sounding real good. While the revival version of the production may have catchier tunes and quirkier characters, this originating start is a great place to sit back and enjoy an adorable blockhead and his musically inclined friends.

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Without tragedy we would all just be living in a play. The characters existing inside of Empress of the Moon: The Lives of Aphra Behn, a production being mounted by Forearmed Productions (based in Philadelphia, PA) gives us exactly that. Written by Chris Braak and directed by Company Founder Cara Blouin, the play is roughly an hour and a half filled with feminist themes with a curious approach to gender roles threaded throughout.

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Fully Charged Productions is advertising Size Doesn’t Matter using an alluring, albeit risqué, image on their marketing materials. Audiences may think that the seven short plays within might be of a humorously sexual nature. This, however, is not so. Featuring playwrights Mario Baldessari, Renee Calarco, Zachary Fernebok, and John Morogiello these seven short “plays” have no unifying theme other than the fact that they are mostly comedic. Directed by Ray Ficca,

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(Best of the Capital Fringe)

Classified as a contemporary comedy, this production of Ben & Lucille is hands down the absolute best 45 minutes you will spend at The Capital Fringe Festival in 2014. Playwright Elan Zafir has conjured up theatrical genius that is both modern and relevant and loaded with humorous moments amid a very real dramatic situation. His writing style is captivating; Zafir showcases his true knowledge of how to build layers of plateau steps into the script where escalations gently resolve themselves and just as things approach neutral another moment of conflict erupts between the characters.

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There is danger in covering up the cracks. You can only hide behind a painted face for so long before the stuffing all comes flooding out and the truth is revealed. A hilarious and heartbreaking tale unfolds in just such a fashion as the Everyman Theatre continues into the back half of their 2013/2014 season with their production of The Dresser, by Ronald Harwood. Directed by Derek Goldman, this stunning emotional production keeps you fascinated as the story unfolds;

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“If I speak in the tongue of men or angels but do not have love I am only a resounding gong or a clanging cymbal.” 1 Corinthians 13 or so the Bible says. What greater thing could there be to have in this world where logic is so inside out and laws are upside down than love? But even then is love enough? Forum Theatre partakes in the National New Play Network Rolling World Premier of Pluto,

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If imagination is the beginning of creation, imagine a world where human beings could choose the length of their lives, creating for themselves an eternity of knowledge and power. Would you choose to live forever? Or would the notion of living forever, an immortal existence overwhelm the mind and force the imagination to create death? In George Bernard Shaw’s rarely done epic play, Back to Methuselah, Washington Stage Guild (WSG) explores these notions in a riveting and compelling stroke of drama.

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You may not recognize it, even if you’ve talked about it, think you’ve seen it, or may even think you’ve written it. We’re talking about the great American play. And it’s happening at the Colonial Players of Annapolis as they present Tracy Letts’ Superior Donuts to continue on in their 65th season. Rich dynamic characters, every day struggles and strife, real situations with real meat behind the story; all of that comes from the creative mind of playwright Tracy Letts.

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A weekend in the country is exactly what you’re in for if you head up to the Damascus Theatre Company’s production of A Little Night Music at the Gaithersburg Arts Barn this month. The Sondheim classic is being revised to have a more modern feel with D. Scott Richards and Musical Director Keith Tittermary at the helm. Will the romantic entanglements of the well-known period musical still shine through, well the only way to find out is to go and see it for yourself.

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One cannot feel time in words alone, but it is there, ticking, moving, existing. Passing us by as time so often does, as we invest our lives in one thing or another. We as humans spend our lives making an existence, making decisions that make us who we are, but when we depart there is no trace of us left behind except for our absence. Provocative as ever – Single Carrot Theatre opens up their brand new theatre space at 2600 N.

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People don’t go to the movies to be depressed that’s what they have the theatre for, or so says Centerstage’s production of Stones in His Pockets; a darkly humored Irish comedy that will tickle your funny bone and bring a tear to your eye in one whirlwind of sensational acting and side-splitting shenanigans. Two actors, a dozen or so characters, and one stage; it’s bound to be a night of utter hilarity even if there are emotions heavy as stones to fill the audience’s hearts.

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The tale of star-crossed lovers, thwarted by fate before their stories even began; the Bard’s oldest and most tragic love tale. We’ve seen it all before, we’ve heard it all before, but The Audrey Herman Spotlighters Theatre is bringing us Romeo & Juliet with a new take on the Shakespearean classic drawing us into the story and making us love and cry all over again. Directed by Lance Bankerd, this production keeps the integrity of the text while transporting the setting to Ancient Greece;

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Pleasure. Variety. It’s the ideal life; three fiancées, one apartment, and a wild ride. Just so long as the girls don’t find out about each other. Kicking off the new year with a madcap comic farce, Fells Point Corner Theatre proudly presents a smashingly successful production of Boeing Boeing, written by the French playwright Marc Camoletti. The English language adaptation used here was translated by Beverley Cross.

The cast of ‘Boeing Boeing.

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People are people no matter where you go. Unless they’re not people, in which case they might be a giant white rabbit measuring in at six feet eight inches— I’m sorry, six feet eight and a half inches— they might just be a Pooka. What’s a Pooka? Look it up! Or head down to The Vagabond Players to see Mary Chase’s Harvey, both are good options, but it’ll be much more fun if you go to the theatre rather than brush off the dictionary.

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Death does strange things to people. And in familiar circumstances, people struggling with a death in the family will turn on each other in a heartbeat; siblings and relations will treat each other worse than strangers on the street because they know how to cut – and when they do – they cut deep. Continuing in the vein of unearthing America’s sordid past in Woolly Mammoth Theatre Company’s 34th season: America’s Tell-Tale Heart,

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The blood of angry men, the color of desire, a sunset; so many things that a simple color can represent. It pulsates and lives when being viewed, but is that life still within the art when it is alone in the darkness without the eye of the beholder to animate it? The captivating, moving drama, winner of six Tony Awards, Red comes to Everyman Theatre as the second show in their 2013/2014 season.

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