People don’t go to the movies to be depressed that’s what they have the theatre for, or so says Centerstage’s production of Stones in His Pockets; a darkly humored Irish comedy that will tickle your funny bone and bring a tear to your eye in one whirlwind of sensational acting and side-splitting shenanigans. Two actors, a dozen or so characters, and one stage; it’s bound to be a night of utter hilarity even if there are emotions heavy as stones to fill the audience’s hearts.

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The tale of star-crossed lovers, thwarted by fate before their stories even began; the Bard’s oldest and most tragic love tale. We’ve seen it all before, we’ve heard it all before, but The Audrey Herman Spotlighters Theatre is bringing us Romeo & Juliet with a new take on the Shakespearean classic drawing us into the story and making us love and cry all over again. Directed by Lance Bankerd, this production keeps the integrity of the text while transporting the setting to Ancient Greece;

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Pleasure. Variety. It’s the ideal life; three fiancées, one apartment, and a wild ride. Just so long as the girls don’t find out about each other. Kicking off the new year with a madcap comic farce, Fells Point Corner Theatre proudly presents a smashingly successful production of Boeing Boeing, written by the French playwright Marc Camoletti. The English language adaptation used here was translated by Beverley Cross.

The cast of ‘Boeing Boeing.

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People are people no matter where you go. Unless they’re not people, in which case they might be a giant white rabbit measuring in at six feet eight inches— I’m sorry, six feet eight and a half inches— they might just be a Pooka. What’s a Pooka? Look it up! Or head down to The Vagabond Players to see Mary Chase’s Harvey, both are good options, but it’ll be much more fun if you go to the theatre rather than brush off the dictionary.

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Death does strange things to people. And in familiar circumstances, people struggling with a death in the family will turn on each other in a heartbeat; siblings and relations will treat each other worse than strangers on the street because they know how to cut – and when they do – they cut deep. Continuing in the vein of unearthing America’s sordid past in Woolly Mammoth Theatre Company’s 34th season: America’s Tell-Tale Heart,

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The blood of angry men, the color of desire, a sunset; so many things that a simple color can represent. It pulsates and lives when being viewed, but is that life still within the art when it is alone in the darkness without the eye of the beholder to animate it? The captivating, moving drama, winner of six Tony Awards, Red comes to Everyman Theatre as the second show in their 2013/2014 season.

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