Articles Tagged With: Michael Safko

Avenue Q at Small Town Stars Theatre Company

Small Town Stars Theatre Company, based at the Carroll Arts Center of Westminster MD, skillfully and confidently walks a fine, fine line in its short but hilariously fun run of Avenue Q (Robert Lopez & Jeff Marx, music & lyrics; book by Jeff Whitty). STS’s production, under the direction of Sean Olsson, effortlessly navigates mature themes of sexuality, racism, internet pornography, all in the oeuvre of network children’s educational programming, complete with custom-made puppets the Jim Henson Company would be proud to associate with.

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Aida at Artistic Synergy of Baltimore 📷Tell It Well Photography

Aida at Artistic Synergy of Baltimore

Every story is a love story.  That’s the message being preached by Artistic Synergy of Baltimore’s (established 2012) production of AIDA which opened on a rainy night in Rosedale, MD.  Based on the Italian language opera of the same name, Disney purchased the book rights in 1994 to turn it into an animated feature film.  However, it was instead reborn as a Broadway musical with music by Sir Elton John and lyrics by Tim Rice. 

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Jessie Duggan (left) as Karly and Britt Martin (right) as Laura. 📷Jessie Duggan and Samantha Murray

Whose Wives Are They Anyway? at Artistic Synergy of Baltimore

I don’t believe it! There’s an American farce!? And it’s here in Baltimore!?!? With a first-time director and at Artistic Synergy of Baltimore!? I don’t believe it! Well, believe it! Because Whose Wives Are The Anyway? an American farce written by Michael Parker is here for a two-weekend engagement with Artistic Synergy and its being directed by first-time-director Cory Bauer. It’s an antics-loaded, shenanigans-laced nonsense show that will certain have you chuckling as the characters trip over one another,

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The Last Night of Ballyhoo at Bowie Community Theatre

As I
watched The Last Night of Ballyhoo, written by Alfred Uhry and directed
by Ilene Chalmers, at the Bowie Community Theatre, I had a thought somewhere during
Act I, Scene 4: “This play really is about something.” This is
not to say that I disliked the production before that; even before coming to
that revelation I would have acknowledged the stellar set and the faultless
performances from the cast.

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