Articles Tagged With: Lisa Beley

Samuel Adams and the cast of Henry V. 📸Kiirstn Pagan

Henry V at Chesapeake Shakespeare Company

“Oh for a muse of fire that would reach the uppermost heights of creativity— the stage a kingdom…” we’ve all heard it. We all recognize it. Do we all know that it comes from one of Shakespeare’s histories? You may have heard it, recognize it, and even know that it comes from Henry V, but you’ve never heard it until you hear it slipping delicately over the lips of Lesley Malin, Chesapeake Shakespeare Company’s Executive Producing Director— or for the purposes of this performance— The Chorus.

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The Oresteia at Shakespeare Theatre Company

Everything feels as if it has just happened. Ellen McLaughlin’s
The Oresteia, freely adapted from the
trilogy by Aeschylus that is nearly 2,500 years old, feels as if it is
happening. And what must happen does. Boldly closing the 2018/2019 season at
Shakespeare Theatre Company in their prestigious Sidney Harman Hall under the
Direction of STC legend Michael Kahn, The
Oresteia
is modernized yet timeless, prescient yet ancient;

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Twelfth Night at Shakespeare Theatre Company

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Final boarding call for all passengers boarding flight STC-2017 to Illyria. All passengers please make their way to Sidney Harman Hall and follow the instructions of the flight attendant.

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The setup is astonishing, and at first a peculiar choice, but Director Ethan McSweeny’s conceptualization of Shakespeare’s Twelfth Night is nothing but gob-smacking by the play’s conclusion. Not unlike a cinematic psychological thriller,

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The Lover & The Collection at Shakespeare Theatre Company

Just who is who and what is what? Who’s lying? Who’s telling the truth? Scandal, lovers, mistresses, and then some await eager audiences of Washington DC as Shakespeare Theatre Company opens the 2017/2018 season with a double-bill of Harold Pinter. Artistic Director Michael Kahn brings The Lover & The Collection together for an evening inside the darkly scandalous and peculiarly humorous world of Pinter’s somewhat dated characters. Overlooking the misogyny and general banality of the female character featured in each of these productions,

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