Articles Tagged With: greg Bowen

Love & ROAR! at Baltimore Rock Opera Society

“So how can I deny? I’ve got a monster, I’ve got a monster inside”

Are you in the mood for love? How about giant kaijus smashing the city while rocking out to some stellar music… and in the mood for love? Well, with the Baltimore Rock Opera Society’s Love & ROAR! you get all this and more!  Playing through November 19th at the old (previously vacant) bank building at 1 E.

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Glitterus: Dragon Rising at Baltimore Rock Opera Society

The long-awaited epic adventure has finally arrived! Returning to their first, live-in-person performance, the Baltimore Rock Opera Society is rocking Glitterus: Dragon Rising onto their home stage at the Zion Lutheran Church this spring! Playing mid-May through the first weekend in June, this epic quest-rock-musical, in true BROS style has everything one could hope for from a BROS show— including a zany but impressively well-scripted plot, astonishing costumes and set pieces, giant puppets,

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Incredibly Dead! The B-Horror Rock Opera! @ Baltimore Rock Opera Society

Tonight is the eve of humanity’s reckoning! Because The Baltimore Rock Opera Society is absolutely going to raise some hell— quite literally— in what could arguably be the most fantastic sendup to B-grade horror films of yesteryore with their latest original creation: Incredibly Dead! The B-Horror Rock Opera. Co-Directed by Michael Ziccardi and Sarah Gretchen Doccolo, with Musical Direction by Paul Joyce, and Choreography by Caitlin Rife, this zany, whacky, so-bad-it’s-good comedic musical is all of their own creation and it’s a thoroughly hilarious encounter.

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Review: Brides of Tortuga at Baltimore Rock Opera Society

Taut sails and fair winds! Load the cannons and hone blades— you’re bound for Tortuga! Baltimore Rock Opera Society is taking to the high seas with their second all-original work of 2016, Brides of Tortuga. Debuting on the successful tailwinds of Chronoshred: The Adventures of Stardust Lazerdong and the remount of Amphion, this swarthy conclusion of the 2016 season serves as a female-empowering vessel of nautical revelry with great creative potential sprinkled liberally throughout the production.

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