In a time before Facebook, Worlds of Warcraft, and Massive Multiplayer Online RPG, there once existed a simple game. And in a time of theatrical chaos, political uproar, and global warming, there currently exists an environmentally sound theatre company. Green Globe Theatre is currently producing Qui Nguyen’s She Kills Monsters. Forged by the hands of theatre nerds, crafted in the minds of Director Jess Marciniak, and so advanced in its advanciness that it would take two whole weekends of production to fully express all of its mighty geekery,
Now, thou art what thou art, a production of Romeo and Juliet. Though this production, at The Green Globe Theatre (Baltimore’s only producing eco-friendly theatre) is beyond the simple notion of star-crossed lovers meeting in fair Verona. Of course, one must be full well in all five wits to endure the length of this production, but tis worth the patience and endurance for the cinematic elements and uniquely conceived approach to placing the star-crossed lover’s tragedy in WWII Nazi occupied France circa 1944.
We all have a different perception of what real beauty is. We all have our reasons to be pretty; there are people we make ourselves pretty for; there are people who we let define where we fall on the scale of ugly to pretty. But beauty has its price, just like ugly does, and it’s a steep price to pay regardless of which side you’re on. Neil LaBute’s Reasons to be Pretty explores this dark and dangerous notion of external beauty through heavy humor and deeply dramatic twists in the way only a Neil LaBute play can.
Black lives matter. Blue lives matter. All lives matter. Can you address the nature of all human life being important without being effusive to one group or another or erasing the suffering that they’re experiencing when it comes to social injustice in the world where we currently live? Cohesion Theatre Company presents the penultimate production of their second season, Force Continuum by Kia Corthron, as a social examination to the current political climate— not only in Baltimore— but across the nation when it comes to dealing with the controversial topic of racial inequality and how it is placed in the system of law and order.