Love. Deception. Soap Opera. Kiss. An evocative new work is pushing the conversational envelope at Woolly Mammoth Theatre Company in the 2016/2017 season. Revolving around the melodramatic relationships of four individual characters inside a soap opera, but going so much deeper than that simple premise, Kiss is a story like no other. In a TheatreBloom exclusive interview, we sit down with Woolly Company members Gabriela-Fernandez Coffey and Tim Getman,
When you experience something so beautiful, you have to put it into words just to make sure that it is real. Though I purport no ability that will come close to doing Guillermo Calderón’s work an inkling of justice, finding word to convince you to see Kiss at Woolly Mammoth Theatre Company for its sheer horrifying beauty and stunning emotional weight is now my mission; the must-see show of the season has risen to the stage with harrowing political relevance,
Images create reality. The imagination creates images of our reality. There is a line, even in our imaginations, that we should not cross, but to enforce such a notion would be impossible. In a frighteningly realistic and none-too-distant futuristic world where the “Nether” (formerly the internet) has become the contextual framework for being, it’s okay to forget who you are and discover who you might be. It’s the golden opportunity to live without consequence in a reality that is not one’s own.
Are you able to walk up to your neighbor’s house and borrow a cup of sugar? Does anyone even do that anymore? Or is it just easier to go down to the 24-hour food mart and buy what you need rather than trying to determine if you have a functioning relationship with your neighbor? Do you even know the people that live next door? A compelling, yet highly humorous, socio-economical commentary on the devolution of neighborhoods in modern America is what comes to the stage to kick off Woolly Mammoth Theatre Company’s 34th Season: America’s Tell-Tale Heart.