Christ, you know you love it— Jesus Christ Superstar— what more do you need to convince you to come and see it at Signature Theatre? Perhaps a one-on-one interview with Awa Sal Secka, playing Simon Zealotes will do the trick! In this TheatreBloom exclusive one-on-one, we speak with Awa about the current production and her part in the show.
Thank you, Awa, for giving us your time! If you would just give a quick introduction of who you are and some of your DC credits,
Artists are the real philosophers of the world because they are the ones struggling to communicate the real human condition. In a powerful new evocative work commissioned for Ford’s Theatre, playwright Jessica Dickey explores the notion of protecting the space around the art in her new heart-heavy drama The Guard. Receiving its world premiere upon the stage under the Direction of Sharon Ott, this fascinating new work is not without its levity in its epic journey of exploration through emotions and the notions of art and what it means to exist as humans in a world dominated by untouchable art.
Does one play the villain when one simply exposes the truth for what it is? The pungent aroma of hy-pocrisy wafting down from the north as John Adams campaigns for Independence in Philadelphia exposed by the surly tongue of Edward Rutledge in what is marked as one of the darkest musical numbers in 1776. Continuing on as the fourth installment of Vote Yes: Inside Independence Hall, TheatreBloom sits down with Dan Felton to discuss his antagonistic role inside the second continental congress.
We cannot escape history; the good, the bad, the beautiful, the ugly. 150 years ago on April 14, 1865 one of the greatest forefathers of our country was assassinated inside of Ford’s Theatre while attending a production of Our American Cousin. Commemorating this national event that helped shaped the nation as we know it today, Ford’s Theatre has commissioned a brand new musical Written by Frank Wildhorn,
Who is dead in the White House? A haunting question that repeats itself in the grief-stricken mind of a recently widowed first lady. Commemorating the 150th year since President Abraham Lincoln’s assassination, Ford’s Theatre has commissioned a work that captures the essence of the aftermath as told through the eyes of the eyes of Mary Todd Lincoln. Written by James Still and Directed by Stephen Rayne, this powerfully evocative drama enchants the audience into a surrealistic world of grief and mourning;